Leo Lionni’s Love Story (Part 1)

This sto­ry is adapt­ed from the auto­bi­og­ra­phy of Leo Lion­ni (1910–1999). Between Worlds(Between Dif­fer­ent Worlds).

Leo the Young Man, paint­ed by Piat’s Uncle

1. Lily: “My First True Love“My first real love)

In the sum­mer of 1923, thir­teen-year-old Leo Lion­ni accom­pa­nied his grand­par­ents to Marien­bad, a pop­u­lar Czech spa resort at the time. This Dutch boy of Jew­ish descent, already liv­ing with his grand­par­ents in Brus­sels, had learned to switch between dif­fer­ent coun­tries and lan­guages. He lat­er recalled those two years as a pro­tract­ed vis­it to rel­a­tives’ homes, where he some­times felt more like a polite observ­er.

My grand­par­ents pre­ferred hot springs for relax­ation and did­n’t want to strug­gle with the sand, wind, and water at the beach. Leo was ini­tial­ly reluc­tant, but dur­ing a walk in the woods…Lil­ly LoewyShe was twelve years old, with small red freck­les on her face, and long, messy red hair. She drank the hot spring water from her cup, look­ing slight­ly uneasy. As for how the two fam­i­lies met, Leo could­n’t remem­ber. He said his mem­o­ry always felt like he had only entered the the­ater after the per­for­mance had already begun.

In Ams­ter­dam, he also had a neigh­bor named Tiene. They played doc­tor and patient games, and he even wrote her a short let­ter addressed to “Tiene Lion­ni.” At that time, he was already think­ing about love and mar­riage togeth­er. How­ev­er, Lily was what he called his “first true love”:

““I love her fun­ny smile, her tiny red freck­les, her light blue eyes, her slen­der body, and her long, unruly red waves. I love how she’s always out of breath when we meet, I love her mys­te­ri­ous silence when it’s time to leave, and I love her long, light kiss­es.””

They were still too young to expe­ri­ence the tor­ment of pas­sion, and their days were filled with ease and joy. Almost every after­noon, the two would walk along the path to the for­est café, order tea or juice, dance, then pay the bill like adults, tip the wait­er, and dis­ap­pear togeth­er into the woods. They weren’t embar­rassed, and the adults did­n’t make a fuss. When the hol­i­day end­ed, they embraced, promis­ing to be faith­ful to each oth­er, while Lily’s par­ents and Leo’s grand­par­ents silent­ly expressed their sat­is­fac­tion.

Back in Brus­sels, their romance turned into let­ter writ­ing. Leo wrote a pas­sion­ate love let­ter every week, hop­ing to read a sim­i­lar­ly mov­ing con­fes­sion; Lily’s let­ters, how­ev­er, were those of a twelve-year-old girl, hes­i­tant to reveal her­self to oth­ers. Dai­ly life grad­u­al­ly took over, and the let­ters became less fre­quent; after four or five months, the cor­re­spon­dence ceased alto­geth­er.

This rela­tion­ship left behind two pieces of evi­dence: a pho­to of the two walk­ing side by side, brave­ly drink­ing from a hot spring, and an address that Leo always remem­bered.Lil­ly Loewy, Jirassek Platz 1, Moravs­ka Ostra­va—Ostra­va, Moravia, Ilasek Square 1. Lily’s face fad­ed, but the address remained.

As time passed, Leo went to the Unit­ed States, then lived in Italy, stud­ied in Switzer­land, got mar­ried, and became a father of two. After Hitler occu­pied the Sude­ten­land, news of expul­sions and tor­ture kept com­ing in, and the image of that freck­led Jew­ish girl from Moravia returned clear­ly to his mem­o­ry.

He did­n’t know Lily’s where­abouts. Because he did­n’t know, the plight of the con­cen­tra­tion camp vic­tims con­stant­ly over­lapped with her face in his mind. This pas­sage is almost unbear­able to read:

““Lily was the one pushed into the freight car, stripped naked, and dragged into the gas cham­ber. Lily was the one whose red hair was cru­el­ly cut off. She was the one shot on the banks of the Danube. Or near the Dutch bor­der. Lily was the one who escaped to Aus­tria but fell into the hands of the Vien­na Gestapo. The frail skele­ton I rec­og­nized in the mass grave was also Lily. It was always her.””

This isn’t a record of Lily’s actu­al ordeal, but rather Leo’s ter­ror in the face of cat­a­stro­phe: unimag­in­able thou­sands, even mil­lions, of vic­tims, all bear­ing that face he rec­og­nized. After the war, he saw no pho­tographs or heard her name, nor did he rec­og­nize her in any doc­u­men­taries about death camp sur­vivors. The life that fol­lowed took that lit­tle face away from him as well.

This first love thus has two lay­ers of mem­o­ry. One is the kiss in the woods, after­noon tea, and clum­sy love let­ters; the oth­er is the shad­ow cast by war. Near­ly sev­en­ty years lat­er, an unex­pect­ed reunion will force Leo to con­front these two lay­ers of mem­o­ry once again. Let’s first go back to his younger days: in Genoa, anoth­er girl is wait­ing to enter his life.

2. Ada: Immersed in the intellectual enlightenment of “In Search of Lost Time”

Dur­ing his child­hood, Leo moved with his par­ents to Genoa, Italy. To adapt to the local school sys­tem, he first received ten months of pri­vate tutor­ing before enter­ing the Vit­to­rio Emanuele III High­er Tech­ni­cal School (Isti­tu­to Tec­ni­co Supe­ri­ore Vit­to­rio Emanuele Ter­zoHe was prepar­ing to study a four-year busi­ness man­age­ment course. To him, busi­ness man­age­ment was sim­ply book­keep­ing. For a young man aspir­ing to be an artist, this was hard­ly an excit­ing prospect.

School dis­ci­pline was strict: girls wore black uni­forms, and boys and girls were for­bid­den from link­ing arms, hold­ing hands, or even call­ing girls by their first names or using affec­tion­ate terms. Many stu­dents wore fas­cist uni­forms and bowed to the “leader” dai­ly; Leo, as a for­eign­er, was ini­tial­ly exempt from these require­ments. He described him­self as “a cat in a strange ware­house,” des­per­ate­ly want­i­ng to escape. A week into the semes­ter…Adda Maf­fiThey’ve arrived.

Ada wore glass­es, was tall, and moved some­what slow­ly and clum­si­ly. Her long, dark hair was braid­ed. Com­pared to her class­mates who loved to laugh and talk, she seemed mature, and pos­sessed an inex­plic­a­ble air of mys­tery. After class, Leo mus­tered his courage and asked if he could walk her home. Ada glanced at him and agreed.

As they approached the long tun­nel lead­ing to the cable car entrance, Leo sud­den­ly asked her, “Why do you look so sad?” Meet­ing his gaze, she explained that her moth­er had passed away a few months ago and her father had gone to prison, tears welling up in her eyes.

They talked from a bench near the sta­tion to a café over­look­ing the city. Ada’s father, Fab­rizio Maf­fi, a doc­tor, com­mu­nist, and mem­ber of par­lia­ment, had been arrest­ed by the fas­cist author­i­ties and was await­ing tri­al in Genoa. The chil­dren had moved from Rome to vis­it their father week­ly. Ada’s broth­er Mario and sis­ter Nora lived there, while her old­er sis­ter Bruna worked in Milan and occa­sion­al­ly returned on week­ends.

Leo was shocked and even a lit­tle embar­rassed to talk about his peace­ful life. A few days lat­er, he met Ada’s fam­i­ly and they quick­ly became friends. He often went to their board­ing house to do his home­work and eat.

At the live­ly and dialec­ti­cal din­ner table at the Mafie fam­i­ly home, Leo not only gained a deep friend­ship that was instant­ly estab­lished, but also received his own sil­ver nap­kin ring—a cer­e­mo­ni­al con­fir­ma­tion that he had been for­mal­ly accept­ed as “one of the fam­i­ly” by this fam­i­ly full of polit­i­cal ideals and suf­fer­ing.

It was also dur­ing this peri­od that he wit­nessed fas­cists throw­ing books from the home of a social­ist lawyer into the street and burn­ing them, and then throw­ing a piano from a third-floor bal­cony. The wood and strings crashed against the street with a loud thud, and he trem­bled and ran home. Pol­i­tics had trans­formed from a vague con­cept into real harm inflict­ed on those around him. He began read­ing exten­sive­ly by Tol­stoy, Pushkin, Gogol, and Tur­genev, and lat­er dis­cov­ered Proust and oth­er French writ­ers.

Ada was a year younger than Leo, intel­li­gent, strong-willed, roman­tic, and some­times sur­pris­ing­ly insight­ful. Nei­ther of them want­ed to be book­keep­ers, so they sought the edu­ca­tion they tru­ly desired through read­ing, out­side of their tedious class­es. In their board­ing house, they would lie in bed read­ing and telling child­hood sto­ries; Ada and Nora would some­times come to Leo’s small liv­ing room to do home­work, draw por­traits, and lis­ten to records. Leo and Ada would lat­er still immerse them­selves togeth­er in the twelve-vol­ume edi­tion of *In Search of Lost Time* pub­lished by the New France Review (NRF), dis­cussing the thoughts and feel­ings that read­ing brought them.

In his auto­bi­og­ra­phy, Leo recalled his pro­found yet brief romance with Ada in this way:

“My rela­tion­ship with Ada was pas­sion­ate, but short-lived. She was an extra­or­di­nary young woman—intelligent, strong-willed, roman­tic, and remark­ably insight­ful for her age. She shared my sud­den pas­sion for read­ing, and much of our enjoy­ment came from dis­cussing what we had read and the thoughts and feel­ings it evoked…”

What Ada brought to Leo was a pro­found intel­lec­tu­al enlight­en­ment and spir­i­tu­al res­o­nance. She was like a bolt of light­ning, pulling Leo out of the void of indi­vid­u­al­ism and push­ing him into a vast world where lit­er­a­ture, thought, and real his­to­ry inter­twine.

Years lat­er, he still called Ada an extra­or­di­nary young woman, and admit­ted that their romance was pas­sion­ate but short-lived. Read­ing bound them togeth­er, but their love slow­ly drift­ed else­where. In that small liv­ing room, when Ada picked up a book and lay down on the sofa, her sis­ter Nora would pull Leo to dance.

Nora and Ada as chil­dren

[To be con­tin­ued]

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