July 17: Today in the History of Children’s Books

⚰️ 1980 – Death: Motoichirō Takebe

A leg­endary Japan­ese graph­ic artist, illus­tra­tor, and mas­ter of clas­si­cal free­hand oil paint­ing and sci­ence fic­tion aes­thet­ic illus­tra­tion (1914–1980). He was one of the most prin­ci­pled and com­pas­sion­ate giants in the his­to­ry of post­war Japan­ese chil­dren’s visu­al art, ded­i­cat­ing his life to using his paint­brush to expose the cru­el­ty of war and defend the supreme dig­ni­ty of life.

  • An Immor­tal Anti-War Epic: The Poor Ele­phant (かわいそうなぞう(Writ­ten by Qi Xiong, Tujia) This is the most wide­ly cir­cu­lat­ed, most sig­nif­i­cant, and most inter­na­tion­al­ly influ­en­tial anti-war mon­u­ment in the his­to­ry of Japan­ese chil­dren’s pic­ture book evo­lu­tion.
  • Con­tri­bu­tions to visu­al arts:
  • In *The Poor Ele­phant*, Takebe Honichi­ro com­plete­ly aban­dons rigid real­ism. He inno­v­a­tive­ly employs a poignant, evoca­tive style, using bold, sweep­ing water­col­or wash­es and pow­er­ful, sin­gle-line pen sketch­es to vivid­ly depict the trag­ic lives of three gen­tle ele­phants at the Ueno Zoo in Tokyo dur­ing the final stages of World War II, forced to starve and be put to death (a hunger strike) due to the threat of air raids. He paints the des­per­ate scene of the ele­phants salut­ing their keep­ers with their last breath, beg­ging for food. His depic­tions of keep­ers, weep­ing uncon­trol­lably while cradling the ele­phants’ remains and main­tain­ing order dur­ing air raid sirens, imbued with a pow­er­ful, gran­u­lar visu­al impact, deeply instill in chil­dren a shield of inde­pen­dent rea­son against war and a yearn­ing for peace.
  • Pio­neer­ing Sci­ence Aes­thet­ics: He is the most author­i­ta­tive illus­tra­tor in Japan for Edgar Rice Bur­rough­s’s icon­ic space opera “Mars Series” (rep­re­sen­ta­tive work “Princess of Mars”), and the one who defined the visu­al charm of sci­ence fic­tion roman­ti­cism through­out Asia. His dynam­ic, ethe­re­al, and tex­tured pen lines and human anato­my have deeply inspired count­less mod­ern illus­tra­tors.

| Passed away | Moto­ichirō Takebe | Moto­ichi­ro Takebe (Wikipedia) |


⚰️ 1998 – Death: Lillian Hoban

An immor­tal Amer­i­can female graph­ic illus­tra­tor, chil­dren’s grad­ed bridge book author, and pio­neer of ear­ly read­ing aes­thet­ic edu­ca­tion (1925–1998). She was a mul­ti­fac­eted female mas­ter in the mid-to-late 20th cen­tu­ry who per­fect­ly inte­grat­ed “ear­ly child­hood prag­mat­ics, dai­ly fam­i­ly order, and social empow­er­ment” in the Unit­ed States.

  • A time­less and immor­tal mon­u­ment (the per­fect pair):
  • She and her hus­band, the renowned writer Rus­sell Hoban, formed one of the most daz­zling pic­ture book duos of the post­war era. She cre­at­ed the clas­sic “Frances Bad­ger” series (her most famous work…). Bread and Jam for Frances Frances and Jam on BreadBest Friends for Frances The first edi­tion of the com­plete set of illus­tra­tions for “Frances and Friends” and oth­er books was cre­at­ed and is con­sid­ered the pin­na­cle of Eng­lish-lan­guage ear­ly child­hood sto­ry­telling.
  • Inde­pen­dent­ly cre­at­ed clas­sic bridge books:
  • She cre­at­ed and illus­trat­ed her own extreme­ly edgy and humor­ous “Arthur the Chim­panzee” series, with rep­re­sen­ta­tive works includ­ing “Arthur’s Camp­ing” (Arthur’s Camp-Out)。
  • Visu­al and lit­er­ary fea­tures: Lil­lian Herban’s pen and ink draw­ings are remark­ably detailed and nuanced in their depic­tion of every­day life. Her depic­tions of bad­gers and chim­panzees are devoid of any kitschy or child­ish anthro­po­mor­phism; their fluffy fur blends per­fect­ly with the warm, soft water­col­or wash­es. In *Frances and the Bread with Jam*, she uses remark­ably calm and refined imagery to vivid­ly por­tray the psy­cho­log­i­cal games of a tod­dler’s picky eat­ing and his attempts to test adult soci­etal norms. In *Arthur’s Camp­ing*, she employs con­cise and vivid sen­tences and pro­gres­sive­ly lay­ered puns to help chil­dren just begin­ning to read inde­pen­dent­ly devel­op a ratio­nal under­stand­ing of the world through laugh­ter.

| Died | Lil­lian Hoban | Lil­lian Hoban (Wikipedia) |


⚰️ 1989 – Death: Dayal Kaur Khalsa

An immor­tal Amer­i­can-Cana­di­an female graph­ic artist, illus­tra­tor, and pio­neer of avant-garde pop art aes­thet­ics (1943–1989). She was a leg­end in the his­to­ry of North Amer­i­can chil­dren’s visu­al arts, a gen­er­a­tion that was most tena­cious and ded­i­cat­ed to their cre­ative lives and time.

  • A time­less visu­al mas­ter­piece: I Want a Dog (I Want a DogPub­lished in 1989, it was includ­ed in “1001 Chil­dren’s Books” and has con­sis­tent­ly ranked high on the North Amer­i­can pub­lic library’s list of must-read books.
  • Lit­er­a­ture and Life Char­ac­ter­is­tics: At the age of 40, Kar­lza was diag­nosed with ter­mi­nal can­cer. Fac­ing immi­nent death, she decid­ed to ded­i­cate the rest of her life to chil­dren. In her mas­ter­piece, *I Want a Dog*, she inno­v­a­tive­ly employed high­ly sat­u­rat­ed, vibrant, and grand mod­ernist acrylic paint and large areas of visu­al­ly dynam­ic opti­cal illu­sions through­out the book. The sto­ry vivid­ly por­trays the inno­cent joy of a lit­tle girl named Mary who, because her par­ents for­bid her from hav­ing a dog, treats a roller skate as her pet, walk­ing it to school every day and ulti­mate­ly win­ning the respect of the adults. Her lines, filled with a cold, ratio­nal com­po­si­tion, com­plete­ly shat­ter the sac­cha­rine and cloy­ing designs of ear­ly child­hood pic­ture books, ele­vat­ing chil­dren’s psy­cho­log­i­cal self-expres­sion and sense of auton­o­my to a high­er lev­el.

| Passed Away | Day­al Kaur Khal­sa | Day­al Kaur Khal­sa (Wikipedia) |