Peter Rabbit series animation story scene
Continued from the previous chapter:Peter Rabbit’s Character Design and Development (Part 3)
The rabbit partner who was reborn in the new story
In 2012, Peter Rabbit celebrated its 110th anniversary. At the invitation of the Vaughan Company, Emma Thompson, a prominent figure in British film and television, published her new book, The New Tales of Peter Rabbit (illustrated by Eleanor Taylor). I’m most impressed by Emma Thompson in Ang Lee’s Sense and Sensibility, in which she starred (as the eldest sister) and also wrote the screenplay. Of course, she also played Professor Trelawney, the prophet in the Harry Potter films.
However, it’s difficult to write a sequel to such a beloved work without being criticized. It definitely takes courage. Emma actually wrote the three Peter Rabbit stories in one go — Peter Rabbit’s New Tales, Peter Rabbit’s Christmas Story, and Peter Rabbit’s Adventures in the Garden — which is truly commendable.
If you only read the first of these three new stories, you might think it’s too much of a copycat. Peter Rabbit, unwilling to be lonely, ventures into the garden again and unexpectedly sneaks into Mr. and Mrs. McGonagall’s picnic basket (reminiscent of Timmy Willie, the country mouse in “The Tale of Johnny the City Mouse”). Then, Mrs. McGonagall discovers him on the way and yells “Catch the thief” (a throwback to “The Tale of Peter Rabbit”). Then, while running, he accidentally strays into the territory of his Scottish rabbit relatives… Emma Rabbit strives to strictly maintain the familiar image of Peter Rabbit while also telling a fresh and original story. To be fair, the story is quite successful, and the illustrations are excellent, but it’s just not easy to resonate with. Nevertheless, for Peter Rabbit fans, it’s quite enjoyable to see this “daredevil and clever” character do something “big” again, while still retaining his sincerity and honesty.
The second book, “Peter Rabbit’s Christmas Tale,” is an absolute stroke of genius, likely inspired by Emma’s extensive exploration of the Lake District, where a turkey at Yew Tree Farm (the actual filming location for Hilltop Farm in the film “Miss Potter”) sparked her inspiration. William the turkey is a completely new character, giving Emma complete freedom in telling his story. The ace duo of Peter Rabbit and little Benjamin Rabbit is a perfect match for the story, creating a spark that easily flows. Peter leads the Christmas rescue, while Benjamin acts as the strategic advisor. This time, Emma cleverly avoids overly explicit characterization of the two rabbits, allowing them to naturally blend into the story. In other words, she allows the rabbit duo to develop independently within the story, allowing readers to create their own personalities. Obviously, each reader’s version of Peter Rabbit and little Benjamin Rabbit will have subtle differences, so let the reader decide for themselves.
The third book, “Peter Rabbit’s Adventures in the Garden,” is a satisfying finale. The village has an amusement park, and how could Peter Rabbit and little Benjamin Rabbit not be tempted? But his mother assigns him a different task, specifically “no going to the amusement park.” Bored, Peter Rabbit suddenly has an idea: why not go through the village to his cousin Lupin’s house? They’re “not going to the amusement park, just passing through it”—a concept that perfectly fits Peter Rabbit’s mindset! So they “pass through the amusement park,” and naturally, there’s bound to be some adventures. Emma perfectly captures Peter Rabbit’s love of adventure, and she always keeps his partner, little Benjamin, by his side, creating a magically complementary relationship, akin to the saying, “Beng is inseparable from Jiao, and Jiao is inseparable from Meng.”
In fact, the real secret is that Peter Rabbit and little Benjamin Rabbit, taken together, embody the complete “Peter Rabbit spirit.” It embodies both fearless adventure and a cautious, almost cowardly spirit, a sudden burst of mischievous ideas and the inevitable consequences of impulsiveness. In this “invincible duo,” Peter Rabbit always appears to be the boss, but is ultimately rescued by little Benjamin Rabbit’s wit and courage. This delicate balance is perfectly executed.
As for the latest Peter Rabbit cartoons, they’re a complete reinterpretation for a new era. The “Invincible Duo” has become the “Invincible Trio,” with the addition of a female bunny, Lily the Short-Tailed Rabbit. The characters abandon this delicate balance in favor of simple, straightforward stereotypes. Of this trio, Peter Rabbit becomes the fearless leader; Benjamin Rabbit becomes a staunch follower. His timidity might be seen as a risk assessment, but his unwavering loyalty and trust serve as a perfect foil to the rest of the team. Lily the Short-Tailed Rabbit, the embodiment of the goddess of wisdom, is passionate about natural observation and scientific exploration, and can be seen as a reflection of Miss Potter.
By the way, Peter Rabbit in this animated series always carries a backpack. In addition to emergency tools, it also contains a diary of Peter Rabbit’s father’s adventures and inventions, which is also a creative new feature. Furthermore, in the cartoon and the story based on the cartoon, the “Invincible Three Rabbits” no longer wear shoes. The shoeless rabbits return to nature and run more happily!
(over)
…waiting to see the movie…
Related blog posts:
Peter Rabbit’s Character Design and Development (Part 1)
Peter Rabbit’s Character Design and Development (Part 2)
Peter Rabbit’s Character Design and Development (Part 3)