June 20: Today in Children’s Book History

🎂 1940 – Born: Atsuo Saitō

An immor­tal Japan­ese chil­dren’s lit­er­a­ture author and out­stand­ing edi­tor and pub­lish­er (1940). He was the lead­ing fig­ure of the “ani­mal anthro­po­mor­phic hero­ic epic” long nar­ra­tive school in post­war Japan, and also the men­tor of chil­dren’s books who dis­cov­ered gen­er­a­tions of out­stand­ing Japan­ese cre­ators.

  • A time­less mas­ter­piece: The Adven­tur­ers Tril­o­gyガンバとグリックの马発シリーズ(Illus­trat­ed by Yabu­uchi Masayu­ki).
  • Lit­er­ary sta­tus: Atsuo Saito, with the most metic­u­lous and epic style, cre­at­ed the hero­ic leg­end of Gam­ba the mouse and his com­rades who fought a des­per­ate bat­tle against the cru­el weasel “The Wicked Doc­tor” to pro­tect their peo­ple. In this work, the mouse is no longer a sym­bol of dark­ness and deprav­i­ty, but a sym­bol of dig­ni­ty, inno­cence, indomitable will, and great friend­ship. This series not only achieved aston­ish­ing sales in Japan, but also became an insur­mount­able pin­na­cle of mod­ern long-form chil­dren’s lit­er­a­ture in East Asia.

| Birth | Atsuo Saitō | Atsuo Saito (Wikipedia) |


🎂 1911 – Born: Edward Eager

A dis­tin­guished Amer­i­can chil­dren’s fan­ta­sy writer, play­wright, and lyri­cist (1911–1964). He was one of the most suc­cess­ful nar­ra­tive mas­ters of the mid-20th cen­tu­ry in seam­less­ly inte­grat­ing tra­di­tion­al British clas­si­cal mag­ic into the dai­ly lives of mod­ern Amer­i­can chil­dren.

  • Time­less mas­ter­pieces: Half a Mag­ic (Half Mag­icPub­lished in 1954.
  • Lit­er­ary qual­i­ties: Igle­sias was deeply influ­enced by British fan­ta­sy pio­neer E. Nes­bit. In *Half a Mag­ic Coin*, he uses stun­ning log­i­cal decon­struc­tion and lit­er­ary restraint to tell the hilar­i­ous sto­ry of chil­dren who find a mag­ic coin that can only grant “half a wish.” To make their wish­es com­plete, they must tell twice the required sto­ry. He per­fect­ly blends rig­or­ous math­e­mat­i­cal log­ic, puns, and chil­dren’s fond­ness for the ordi­nary, every­day, cre­at­ing a new genre of “life-based log­i­cal mag­ic” nov­els, which is per­ma­nent­ly includ­ed in *1001 Chil­dren’s Books*.

| Birth | Edward Eager | Edward Eager (Wikipedia) |


🎂 1901 – Born: Iri Maruki

A Japan­ese nation­al trea­sure-lev­el mas­ter of mod­ern ink paint­ing and avant-garde artist (1901–1995). He is world-renowned for his epic mas­ter­piece “Atom­ic Bomb Pic­ture” that shocked all mankind, but the light ink charm of his crossover into the field of chil­dren’s pic­ture art is also a supreme trea­sure in the world’s visu­al art trea­sury.

  • Inter­na­tion­al high­est hon­or: Win­ning an award for the tra­di­tion­al folk pic­ture book “Rice Ball Rolling to Mouse Par­adise” Hon­orary Men­tion at the inau­gur­al Bratisla­va Inter­na­tion­al Bien­ni­al of Illus­tra­tions (BIB) in 1967.
  • Mas­ter­pieces that have stood the test of time: “The Rice Ball That Rolled to Old Tem­ple Par­adise” (A dumpling that rolled down into the mice par­adise)。
  • Visu­al Aes­thet­ics: Maru­ki Iori per­fect­ly com­bines the “five shades of ink” and “dry, wet, thick, and thin” tech­niques of tra­di­tion­al Chi­nese free­hand ink paint­ing with the abstract com­po­si­tion of mod­ern avant-garde art. His illus­tra­tions for chil­dren are vig­or­ous, ethe­re­al, and full of a grass­roots humor that evokes the spir­it of nature, com­plete­ly over­turn­ing the over­ly sweet and flat­ter­ing visu­al rigid­i­ty of chil­dren’s pic­ture books and estab­lish­ing the noble spir­i­tu­al dig­ni­ty of mod­ern East­ern ink paint­ing pic­ture books.

| Birth | Maru­ki Iri | Maru­ki Iri (Wikipedia) |


🎂 1912 – Born: Anthony Buckeridge

A renowned British author and screen­writer of mod­ern chil­dren’s lit­er­a­ture (1912–2004). He was a lead­ing fig­ure in post­war British school humor nov­els and the board­ing school nar­ra­tive genre.

  • Time­less clas­sics: ““Gin­nings” series(Rep­re­sen­ta­tive works) Jen­nings and Dar­bishire).
  • His­tor­i­cal impact: His award-win­ning mas­ter­piece is per­ma­nent­ly includ­ed in “1001 Chil­dren’s Books” and adapt­ed into a long-run­ning radio dra­ma by the BBC. Buck­ley is excep­tion­al­ly skilled at using sharp, con­tem­po­rary British humor and a bar­rage of mod­ern wit­ty remarks to depict the inno­cent pranks, pure friend­ships, and rule-break­ing games of boys in board­ing schools. He com­plete­ly aban­doned the rigid edu­ca­tion of the Vic­to­ri­an era, win­ning a fren­zy of fans among school-aged chil­dren through­out Europe with his absolute­ly child-cen­tered per­spec­tive.

| Birth | Antho­ny Buck­eridge | Antho­ny Buck­eridge (Wikipedia) |


⚰️ 2017 — Passed away: James Berry

Jamaican-British poet and chil­dren’s author (1924–2017). He was the core fig­ure of the famous “Win­drush Gen­er­a­tion” immi­grant lit­er­a­ture after World War II, and was the first to bring the noble oral nar­ra­tive tra­di­tion of the West Indies into the main­stream Eng­lish chil­dren’s lit­er­a­ture land­scape.

  • Time­less mas­ter­pieces: Anansey the Spi­der-Man (Anan­cy Spi­der­man)。
  • Lit­er­ary sta­tus: Berry ded­i­cat­ed his life to mul­ti­cul­tur­al equal­i­ty and the col­lec­tion of folk lit­er­a­ture. His mas­ter­piece, *Anan­si the Spi­der-Man*, uses prose poet­ry imbued with the rhyth­mic feel of West Africa and the Caribbean to reshape the totem fig­ure of Anan­si from tra­di­tion­al Black mythol­o­gy, a char­ac­ter embody­ing wis­dom, cun­ning, resis­tance, and the vital­i­ty of ordi­nary peo­ple. He used words to build the roots of nation­al dig­ni­ty for chil­dren of col­or on paper; the book is per­ma­nent­ly includ­ed in *1001 Chil­dren’s Books*.

| Passed Away | James Berry | James Berry (Wikipedia) |


⚰️ 1953 – Death: Joseph Pinchon

Émile-Joseph Por­firio Pinchin (1871–1953), an immor­tal French graph­ic artist, pio­neer­ing car­toon­ist, and illus­tra­tor, was an undis­put­ed and revered founder of the Euro­pean “com­ic strip.”

  • An immor­tal mas­ter­piece: Bekas­na series (Bécas­sine(Writ­ten by Colm Lorio/Caumery)
  • Visu­al cul­ture influ­ence: Bekas­na, cre­at­ed in 1905, has been per­ma­nent­ly includ­ed in “1001 Chil­dren’s Books”.She is not only the first female pro­tag­o­nist in the his­to­ry of com­ic books to have an inde­pen­dent long sto­ry.Fur­ther­more, she was the one who estab­lished the visu­al lan­guage of mod­ern French com­ic strips. Pinchin used con­cise and clear lines and high­ly dec­o­ra­tive col­or blocks to bring to life this sim­ple yet impec­ca­bly kind and inno­cent coun­try girl dressed in tra­di­tion­al Bre­ton cloth­ing, pro­found­ly inspir­ing count­less Euro­pean mas­ters, includ­ing Hergé, the author of “The Adven­tures of Tintin.”

| Deceased | Joseph Pin­chon | Joseph Pin­chon (Wikipedia) |