Seeing the wind—a life that can feel miracles is more magnificent

Wind Watch­ers Chi­nese ver­sion cov­er

Among all the forces of nature we know, wind may be the most elusive—and the most evoca­tive. Invis­i­ble and intan­gi­ble, yet felt in every moment of its pres­ence. How can such an abstract ele­ment be brought to life in a pic­ture book? In Wind Watch­ers, Calde­cott Hon­or win­ner Micha Archer offers a stun­ning answer: through lyri­cal, poet­ic lan­guage and her sig­na­ture rich­ly lay­ered col­lage illus­tra­tions, she cap­tures the spir­it of the wind with remark­able beau­ty and grace.

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I have trans­lat­edThree poet­ic pic­ture books writ­ten and illus­trat­ed by Misha fea­tur­ing the lit­tle boy DanielHer work is renowned for its sharp obser­va­tion and gen­tle, metic­u­lous tech­nique, par­tic­u­lar­ly excelling at trans­form­ing seem­ing­ly ordi­nary, every­day scenes into poet­ic realms of explo­ration and sur­prise. In 2022, she received a Calde­cott Hon­or for Won­der Walk­ers, a book that exem­pli­fies her sig­na­ture style. Her newest title, Wind Watch­ers (2025), feels like a culmination—and elevation—of that artis­tic vision. While the sto­ry is told through the eyes of three sib­lings, the true pro­tag­o­nist is the wind itself: ever-chang­ing across the sea­sons, some­times ten­der, some­times wild.

The text in this book seems brief, yet it pos­sess­es a pre­cise and dynam­ic pow­er: “In spring, Wind answers with a puff at the petals, mak­ing them flut­ter and fall,” “When Wind’s only answer is a rip­ple on the pond,” “When fall comes, Wind can work won­ders, scat­ter­ing seeds and help­ing geese soar.” “Wind tells us it’s win­ter when it blows in from the north.” Com­bined with vibrant, dynam­ic images, as we turn the pages, we can almost feel the chang­ing ges­tures of the wind as the sea­sons change.

Since its release in the U.S., Wind Watch­ers has gar­nered wide acclaim from both crit­ics and read­ers. Kirkus Reviews called it “pro­found and beau­ti­ful­ly poet­ic.” Pub­lish­ers Week­ly praised its “tapes­try-like spreads [that] are ful­ly devel­oped right to the edges, con­sis­tent­ly offer­ing new things to find.” School Library Jour­nal described it as “a jour­ney shaped through stead­fast inquiry and vibrant illus­tra­tions, bring­ing the sen­so­ry expe­ri­ence to life.” Read­ers on Goodreads echoed these sen­ti­ments: “Read­ing this book feels like hear­ing the wind whis­per in your ear, and watch­ing it dance before your eyes.”

A key rea­son for such strong res­o­nance is Misha Archer’s choice of col­lage. In an inter­view, she stat­ed that this method gives her a sense of free­dom and pos­si­bil­i­ty. Each piece of paper is metic­u­lous­ly dyed, past­ed, and rubbed, and the seals are all hand­made. The place­ment of each ele­ment is imbued with both the serendip­i­tous and inevitable aspects of the cre­ative process, much like the unpre­dictable tra­jec­to­ry of the wind itself.

Misha Archer’s col­lage art reflects her unique under­stand­ing and love of pic­ture book cre­ation media:

First and fore­most, she pur­sues a rich sense of visu­al depth. She says, “I usu­al­ly make minor mod­i­fi­ca­tions to each piece of paper to give the illus­tra­tions more depth.” In “Wind Watch­ers”, every gust of wind and every change of sea­son is cap­tured through a col­lage of dif­fer­ent tex­tures, tex­tures, and col­or lay­ers, cre­at­ing a rich­ness that far exceeds the pow­er of a sin­gle paint­ing tech­nique.

Sec­ond­ly, it enhances cre­ative free­dom and vari­abil­i­ty. Misha empha­sizes, “The most won­der­ful thing about col­lage is that you can keep exper­i­ment­ing until you get the effect you like.” In her cre­ative process, every scrap of paper, every stroke of col­or (includ­ing smear­ing and scrap­ing), every cut and tear, becomes an imme­di­ate and flex­i­ble artis­tic explo­ration. This spir­it of free­dom per­fect­ly echoes the unpre­dictabil­i­ty of wind.

Third, there’s the inti­ma­cy of mate­ri­als and tech­niques. Misha hand­crafts paper, carves seals, and cre­ates rub­bings, fus­ing paper col­lect­ed from around the world with her own mate­ri­als. Her work is imbued with the warmth and vital­i­ty of hand­made cre­ations, and like nature, is imbued with a ran­dom and serendip­i­tous beau­ty.

Final­ly, it’s her relent­less explo­ration of detail and fun. She enjoys find­ing “inter­est­ing things” in life, such as the tex­ture of box­es at home, the veins of leaves, the inden­ta­tions of wrap­ping paper… This sen­si­tive obser­va­tion of every­day details per­me­ates every image in “Wind Watch­ers”, cre­at­ing a bridge for a tac­it dia­logue with read­ers.

At a talk in Bei­jing, renowned Japan­ese pic­ture book pub­lish­er Mr. Tadashi Mat­sui once said, “The most pow­er­ful pic­ture books are those that help us see what is nor­mal­ly invis­i­ble.” He cit­ed The Lit­tle House as an exam­ple, prais­ing Vir­ginia Lee Burton’s extra­or­di­nary abil­i­ty to make read­ers “see time.” In Wind Watch­ers, I believe Micha Archer per­forms a sim­i­lar kind of mag­ic. Wind is, by nature, invisible—but through her rich­ly lay­ered col­lages, Micha makes its pres­ence almost tan­gi­ble. As the book shows the wind lift­ing petals, toss­ing leaves, and swirling snowflakes, we almost for­get that wind has no form at all.

Misha’s love and curios­i­ty for wind stems from her close rela­tion­ship with nature. She lives in a self-built house in west­ern Mass­a­chu­setts, sur­round­ed by forests and gar­dens. Dai­ly walks, observ­ing nature, and col­lect­ing mate­ri­als have become a vital part of her life and art. Her col­lage art is imbued with the warmth and sim­plic­i­ty of hand­made crafts­man­ship. The intri­cate and metic­u­lous crafts­man­ship imbues each piece with unique char­ac­ter and vital­i­ty.

Wind, as a nat­ur­al force, is con­stant­ly mov­ing and chang­ing, unpre­dictable and uncon­trol­lable. Yet, it is pre­cise­ly this uncon­trol­lable force that con­sti­tutes the rich­ness and diver­si­ty of the world. “Wind Watch­ers” not only redis­cov­ers the wind but also reminds us to appre­ci­ate the unspo­ken, elu­sive, yet ever-present mir­a­cles in life. For chil­dren, it is a visu­al and sen­so­ry adven­ture, allow­ing them to expe­ri­ence the chang­ing sea­sons and the rhythms of nature. For adults, it serves as a reminder—even as we grow old­er, we must nev­er lose our abil­i­ty to observe the world and appre­ci­ate the beau­ty of life.

If “Won­der Walk­ers” is a dia­logue with nature, then “Wind Watch­ers” is more like a trib­ute to the wind and life. As we feel every breath and every rhythm of the wind between its pages, we redis­cov­er the vast­ness and grandeur of life. Indeed, even the wind itself would exclaim, “Some­times my work takes my breath away!”

The wind con­tin­ues to blow, its leg­end has no begin­ning and no end. All we need to do is open our eyes and hearts and con­tin­ue on our jour­ney of curios­i­ty to feel, expe­ri­ence, and praise the mir­a­cle of life.

Ajia, Writ­ten in Bei­jing on April 28, 2025