Love may require 20 light years of waiting…

     
“The Lit­tle Pirate on the Stars” is the sec­ond pic­ture book from the col­lab­o­ra­tion between French nov­el­ist Michel Poussey and chil­dren’s book illus­tra­tor Peg­gy Neal. Like the first book, “Trea­sure,” it is based on Michel’s thriller nov­el “She Is Not My Moth­er,” the set­ting of which is detailed in the intro­duc­tion to “Trea­sure.” Sim­ply put, it is one of the bed­time sto­ries that the three-and-a-half-year-old Mar­rone hears repeat­ed­ly in the nov­el. It helps advance the plot and also con­tains strong metaphor­i­cal ele­ments.
     
But what is par­tic­u­lar­ly rare is that, when tak­en out of iso­la­tion as a chil­dren’s sto­ry, it is also quite attrac­tive: a fam­i­ly on a star island, the pro­tag­o­nist is the youngest boy “Pirate Baby”, he is eager to grow up quick­ly because his moth­er said that there are many things that can only be done after he grows up, includ­ing mar­ry­ing his beloved girl Lily. One day, the pirate baby, who can’t wait, flies a space­ship alone to trav­el through space. When he returns home after play­ing enough, he finds that his fam­i­ly and Lily have grown up.20years old, and he him­self has bare­ly grown at all! How is this pos­si­ble?!
     
Young read­ers will like­ly be struck by won­der at this. I remem­ber first read­ing a sim­i­lar sto­ry in fifth grade dur­ing sum­mer vaca­tion, when I read Zheng Wen­guang’s sci­ence fic­tion nov­el “Flight to Sagit­tar­ius.” The sto­ry fol­lows three teenagers on a space­ship adven­ture, near­ly nine years before return­ing to Earth. They metic­u­lous­ly track time dur­ing their flight, but upon their return, they dis­cov­er that time on Earth has sped up by half a year. Ein­stein’s the­o­ry of rel­a­tiv­i­ty states that time slows down for objects trav­el­ing at speeds approach­ing the speed of light! The pirate boy in this pic­ture book trav­els through space at the speed of light for twen­ty years, a mere day for him, while twen­ty years seem to have passed for his fam­i­ly and loved ones. I still vivid­ly remem­ber the pro­found intel­lec­tu­al impact of “Flight to Sagit­tar­ius.” “Lit­tle Pirates on the Stars,” while seem­ing­ly a charm­ing fairy tale, also offers a sim­i­lar­ly hard­core dose of pop­u­lar sci­ence. I believe its sense of won­der will res­onate with today’s young read­ers.
     
This French cre­ative duo imbues the sto­ry with a roman­tic sen­si­bil­i­ty, cap­tur­ing the chal­lenges of grow­ing up, fam­i­ly bonds, and even roman­tic love. Illus­tra­tor Peg­gy Neal’s con­tri­bu­tion is par­tic­u­lar­ly note­wor­thy. Although she chose a cool blue as the pri­ma­ry col­or scheme, her love for trop­i­cal envi­ron­ments is vivid­ly show­cased. Although not explic­it­ly men­tioned in the sto­ry, Peg­gy trans­forms the island into a trop­i­cal island, show­cas­ing clas­sic trop­i­cal fea­tures from the flo­ra and fau­na to the archi­tec­ture, imbu­ing the sto­ry with warmth. How­ev­er, the col­or blue is also cru­cial to the sto­ry, serv­ing as the back­drop for the uni­verse and imbu­ing the romance with a cer­tain mys­tique. Mean­while, the sto­ry inevitably descends into a slight­ly melan­cholic mood mid­way through. Imag­ine: when one per­son alone slows down time, while those around them, those they care about most, con­tin­ue to age in the pas­sage of time, is that tru­ly a bless­ing? The pirate boy pon­ders the deep blue, lost in bound­less lone­li­ness…
     
Read­ing such a cap­ti­vat­ing pic­ture book is per­fect for engag­ing young read­ers in extend­ed dis­cus­sions. Author Michel is not only a detec­tive nov­el­ist but also a uni­ver­si­ty pro­fes­sor of geog­ra­phy, an expert on French polit­i­cal geog­ra­phy. His sto­ries are rich­ly lay­ered, mak­ing them both play­ful and heart­warm­ing bed­time sto­ries and thought-pro­vok­ing case stud­ies. The illus­tra­tors bring the sto­ries to life visu­al­ly, cre­at­ing an ele­gant, roman­tic, and heart­warm­ing expe­ri­ence. Chil­dren should eas­i­ly be drawn into the sto­ry’s con­text, will­ing to empathize with it: What if I were the pirate baby? What if I were the pirate baby’s fam­i­ly? The sto­ry itself offers an answer; could young read­ers come up with a bet­ter one?
     
For adult read­ers, I rec­om­mend reread­ing the orig­i­nal nov­el. First­ly, the plot is incred­i­bly cap­ti­vat­ing and easy to fol­low. Sec­ond­ly, plac­ing it with­in the con­text of the nov­el itself allows for a deep­er under­stand­ing of the sto­ry of the pirate baby. The nov­el involves some vio­lence and adult romance, mak­ing it less suit­able for chil­dren. How­ev­er, because the sto­ry revolves around a three-and-a-half-year-old boy, the explo­ration of child devel­op­ment and psy­chol­o­gy with­in it is well-suit­ed for par­ents to under­stand and reflect on. Michel Pusey has a spe­cial inter­est in chil­dren’s devel­op­ment, which is evi­dent in his renowned nov­el, Until That Day. While She Was­n’t My Moth­er involves a dra­mat­ic rob­bery, pro­tect­ing a child, par­tic­u­lar­ly their psy­cho­log­i­cal well-being, becomes a cru­cial focus.
     
If I were to give a slight (but not too much) spoil­er, I’d say the final words the father says to the pirate baby in the pic­ture book are the key to the reveal. The father said, “When we love some­one, deeply, some­times we have to brave­ly let them go far away. Or we can learn to wait for them for a long time. This is the true proof of love, and per­haps the only proof.” This isn’t just some gen­er­al tru­ism; it’s the author’s deep under­stand­ing, based on his rich life expe­ri­ence. In the nov­el, he lets a three-and-a-half-year-old expe­ri­ence this kind of wait­ing, con­vinc­ing­ly demon­strat­ing such amaz­ing endurance. It’s pre­cise­ly because of repeat­ed­ly lis­ten­ing to the pirate baby’s wait­ing that the child final­ly learns to endure.20The author is also try­ing to prove that such a small thing as lis­ten­ing to sto­ries can be used to shape chil­dren and help them have amaz­ing pow­er.
    
This amaz­ing pow­er must come from love. For chil­dren, it comes from fam­i­ly affec­tion, such as the self­less love of their par­ents; for adults, it can also come from love. It’s impor­tant to under­stand that Michelle’s sto­ry isn’t just for chil­dren.
 

Ajia …
Writ­ten on2020Year2moon10Bei­jing