Author’s Notes for Li Na: Becoming a Better Self

Before writ­ing this sto­ry, I vis­it­ed Li Na’s home, hop­ing to learn more about her upbring­ing from her and her moth­er. Before my vis­it, I also asked my col­lege-age daugh­ter to sug­gest a ques­tion she want­ed to ask Li Na. Her biggest ques­tion was, if Li Na had­n’t known she would achieve what she has today and had the choice to do it all over again, would she have been will­ing to put in the same effort? I know it’s a dif­fi­cult ques­tion, since Li Na was indeed coerced into this indus­try by oth­ers (pri­mar­i­ly her father).
 
Per­haps because I’m also the father of a girl, the sto­ry that most moved me when read­ing Li Na’s auto­bi­og­ra­phy, “On the Field Alone,” was the sto­ry of her and her father. It’s hard to imag­ine myself being so heart­less as to drag my beloved four-year-old daugh­ter from her warm bed into a cold win­ter morn­ing. I also grew up in Wuhan and know the bru­tal­i­ty of the weath­er there: win­ters can be so cold your breath turns to frost, and there’s no heat­ing; sum­mers are relent­less­ly hot, mak­ing the slight­est move­ment a sweaty mess; and the autumn winds sweep­ing fall­en leaves can be bone-chill­ing. In such con­di­tions, for some­one who per­sis­tent­ly took his four-year-old daugh­ter for a morn­ing run, he might now be dubbed an “Eagle Dad” online. How­ev­er, the auto­bi­og­ra­phy, and the tes­ti­mo­ny from Li Na’s moth­er, demon­strate the close and tac­it under­stand­ing between father and daugh­ter. Her moth­er, not with­out envy, says, “Her father is very resource­ful, and she just lis­tens to him.”
I chose to begin this sto­ry with her morn­ing run with her father. Per­haps years lat­er, as she lay on the red clay of Roland Gar­ros, she would­n’t have had time to recall those ear­ly morn­ings. But after she holds the Grand Slam tro­phy, she’ll sure­ly recall those ear­ly morn­ings, and she’ll sure­ly want her father to see it. To me, this is a sto­ry of a dream come true: a daugh­ter ful­fill­ing her father’s dream, far sur­pass­ing any­thing he could have imag­ined before his death.
 
How­ev­er, if we return to the start­ing point and put our­selves in their shoes at a cru­cial moment in their lives, would we, like Li Na’s father, pin our own unful­filled dreams on them? Now a moth­er of two, Li Na says she wants her chil­dren to have as much inde­pen­dence as pos­si­ble, allow­ing them to pur­sue their own dreams. I half-jok­ing­ly sug­gest that if her father had thought the same, there would be no Li Na today. Li Na agrees that rais­ing chil­dren depends on indi­vid­ual needs.
Like the father of anoth­er ten­nis super­star, Andre Agas­si, Li Na’s father nur­tured his daugh­ters ear­ly on, cul­ti­vat­ing ath­let­ic tal­ent. How­ev­er, nei­ther Agas­si nor Li Na actu­al­ly loved ten­nis as chil­dren. From an aver­age per­son­’s per­spec­tive, in a sense, Li Na had no child­hood. At least by com­par­i­son, her child­hood was filled with flaws. Grow­ing up, she expe­ri­enced many set­backs and even reached seem­ing­ly insur­mount­able lows. But because this sto­ry is for chil­dren, she earnest­ly hoped it would be a bright and opti­mistic one. Yes, I com­plete­ly agree. Telling sto­ries to chil­dren isn’t about delib­er­ate­ly obscur­ing the shad­ows of real­i­ty, but about find­ing a new per­spec­tive, one that reveals the inter­est­ing and hope­ful side of life.
 
I’m incred­i­bly for­tu­nate to have Yu Rong illus­tra­tor this book. She trans­forms a bio­graph­i­cal sto­ry, span­ning a vast time­frame and chal­leng­ing to han­dle, into a pic­ture book with a clear nar­ra­tive and strik­ing visu­als. From the cov­er, front end­pa­pers, title page, inside pages, to the inner folds, back end­pa­pers, and back cov­er, the book feels seam­less­ly com­posed. The small balls and cir­cles through­out seem to sym­bol­ize puls­ing ener­gy, dreams, and the ful­fill­ment of them. The seem­ing­ly casu­al inser­tion of real-life pho­tos among the hand-drawn illus­tra­tions draws the read­er back from the sto­ry to real­i­ty, and back through time to Li Na’s child­hood, evok­ing a pro­found sense of life.
Yu Rong’s use of col­or is tru­ly admirable. The over­all tone of the book is remark­ably sun­ny, and to some extent, she “beau­ti­fies” those child­hood mem­o­ries. But con­verse­ly, amidst the joy of suc­cess, the reward of extra­or­di­nary hard work, per­haps those dark­er tones in the mem­o­ry tru­ly fade. Dur­ing the cre­ative process, we repeat­ed­ly debat­ed the col­ors of Li Na’s child­hood play­grounds. The cor­re­spond­ing pages in the book show green or blue back­grounds, but back then, train­ing was done out­doors on prim­i­tive mud and sand courts. The chil­dren had to draw the lines them­selves dur­ing prac­tice, and their knees often bruised… So, should­n’t we restore the yel­low-brown col­or to empha­size the harsh train­ing con­di­tions? The artist opt­ed against this choice, osten­si­bly because it was­n’t aes­thet­i­cal­ly pleas­ing, but a deep­er rea­son was that the book’s images depart from the tra­di­tion­al real­is­tic nar­ra­tive of non­fic­tion. Col­or pri­mar­i­ly express­es mood and emo­tion, hop­ing to res­onate with chil­dren today and allow them to expe­ri­ence the joy of ten­nis.
Per­haps the most vivid expres­sion of this artis­tic feel­ing is the scene where young Li Na, rest­ing at home after an injury, can’t help but miss the train­ing ground and her friends. The pink on the left page draws the read­er into the girl’s enchant­i­ng spir­i­tu­al world. The straw she uses to drink ice water becomes a thread of thought, extend­ing to the vibrant train­ing ground on the right page. The enlarged yel­low-green ball frame cap­tures a unique per­spec­tive that per­haps only ath­letes like Li Na, who trained in a sports school from a young age, can deeply under­stand. Li Na has said that she belongs to the “only child” gen­er­a­tion, where after school, her class­mates gen­er­al­ly went home, leav­ing her with lit­tle com­pa­ny. On the sports team, despite the gru­el­ing train­ing, she was always sur­round­ed by friends, and the bonds between team­mates were often clos­er than those of sib­lings. This may be one of the rea­sons she has been able to per­se­vere through years of train­ing.
Many ten­nis fans often imag­ine “Sis­ter Na” as a mus­cu­lar, incred­i­bly pow­er­ful ath­lete, a pre­req­ui­site for her suc­cess­ful ascent to the top. How­ev­er, Yu Rong, a female artist, per­fect­ly cap­tures Li Na’s inher­ent fem­i­nine beau­ty through del­i­cate col­ors and gen­tle lines. This unique blend of beau­ty is, in fact, a glob­al trend today. Li Na has graced the cov­er of Time mag­a­zine twice, and the mag­a­zine’s guest com­men­ta­tor, for­mer world num­ber one and ten­nis leg­end Chris Evert, exclaimed, “When she smiles, every­one melts. She’s like a breath of fresh air. Her friend­ly demeanor on the court and her humor­ous post-match con­ver­sa­tion puts a smile on every­one’s face.” Per­haps read­ers can sense this inner and out­er beau­ty through the artist’s por­tray­al.
 
How­ev­er, some read­ers may won­der if a love of beau­ty was tru­ly the pri­ma­ry moti­va­tion that drew young Li Na into sports. Ini­tial­ly, this fac­tor may indeed have played a role. As a child, Li Na had baby fat, and her father took her for morn­ing jogs and bad­minton, a move that was cer­tain­ly inten­tion­al, lead­ing to her moth­er’s strong sup­port. How­ev­er, when she was four, her father even spared no expense to buy her a piano. Lat­er, real­iz­ing that his daugh­ter pre­ferred bad­minton to piano prac­tice, he qui­et­ly sold the piano. There­fore, this father was­n’t insis­tent on his daugh­ter’s ath­let­ic pur­suits from the out­set; he sim­ply loved her deeply and want­ed her to become a suc­cess­ful per­son. When he real­ized his daugh­ter’s ath­let­ic tal­ent, his dream of becom­ing a cham­pi­on was rekin­dled. Although he was just an ordi­nary clerk, he had also been a pro­fes­sion­al ath­lete. He under­stood that excelling in his sport could change his des­tiny and allow him to become a “bet­ter ver­sion of him­self” through con­tin­u­ous self-improve­ment.
Look­ing back, Li Na’s tran­si­tion to ten­nis was quite serendip­i­tous. Back then, the sport was large­ly unknown in Chi­na. Ten­nis was once con­sid­ered a “sport for the nobil­i­ty” due to its high cost. It’s also a rather lone­ly sport, requir­ing play­ers to face their oppo­nents alone on the court, con­stant­ly con­fronting and con­quer­ing them­selves to ulti­mate­ly tri­umph. Tra­di­tion­al­ly, play­ers have been expect­ed to man­age every­thing before and after match­es them­selves, from hir­ing coach­es, dai­ly train­ing, injury treat­ment, and phys­i­cal care to tour­na­ment man­age­ment and com­mer­cial activ­i­ties, all in order to adapt to the demands of year-round pro­fes­sion­al com­pe­ti­tion. “Becom­ing a bet­ter ver­sion of your­self” holds very real impli­ca­tions for ten­nis play­ers.
 
Li Na was for­tu­nate to grow up in Chi­na dur­ing its best peri­od, with its econ­o­my boom­ing and Chi­na grad­u­al­ly inte­grat­ing with the world in all aspects. This gave her the oppor­tu­ni­ty to grow into a true inter­na­tion­al ten­nis star.
Ini­tial­ly, she did­n’t take up ten­nis entire­ly vol­un­tar­i­ly. At one point, she dis­liked it and even grew to resent the “ten­nis-is-all” lifestyle. Her father’s untime­ly death was a pro­found blow, and it also left her with a more prac­ti­cal chal­lenge: repay­ing the fam­i­ly debt incurred by his med­ical treat­ment. At four­teen, Li Na began shoul­der­ing the respon­si­bil­i­ty of sup­port­ing her fam­i­ly through ten­nis, a moment of rapid growth. At twen­ty, she retired for the first time to attend uni­ver­si­ty, attempt­ing to return to a more nor­mal life for near­ly two years. Those years were invalu­able for her growth, allow­ing her to view ten­nis from a dif­fer­ent per­spec­tive and gain a deep­er and more sober per­spec­tive on the sport and her per­son­al des­tiny. She under­stood that ten­nis, like jour­nal­ism, lawyers, and doc­tors, was a pro­fes­sion for which she was well suit­ed.
In her ten­nis career, Li Na has achieved remark­able suc­cess, win­ning two Grand Slam titles and ris­ing to sec­ond in the world rank­ings. In addi­tion to reap­ing gen­er­ous prize mon­ey from com­pe­ti­tions, her par­tic­i­pa­tion in var­i­ous busi­ness activ­i­ties has also brought in more income.2014In the 2016 Forbes World’s Top 100 Ath­letes Income List, she ranked first.41Her per­son­al achieve­ments have also pro­found­ly influ­enced the world of ten­nis. The myth that “Asians are not suit­able for play­ing ten­nis” has been bro­ken. In East Asia (espe­cial­ly Chi­na), more and more young peo­ple are choos­ing to par­tic­i­pate in ten­nis.
 
In the inter­view at her home, Li Na said calm­ly, “I grad­u­al­ly came to real­ize that I did­n’t hate ten­nis that much. Ten­nis has changed my life.”
Yes, a small yel­low-green ball brought about such a won­der­ful and won­der­ful life! If her father knew about this, he would def­i­nite­ly say to her: “Nana, you did it!”
In fact, whether or not you real­ize your dream of becom­ing a cham­pi­on is not that impor­tant, but through unremit­ting efforts, you can become a bet­ter ver­sion of your­self and achieve the best ver­sion of your­self — this is the com­mon expec­ta­tion of par­ents all over the world for their chil­dren.
 

Ajia …
Writ­ten on2019Year12moon