Let children learn through highly entertaining literature

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What are you doing?
Are you read­ing?
I like to read. (I like to read.)
Do you want to hear me read? (Do you want to hear me read?)
Now what are you doing?
Writ­ing?
I like to write.
Do you want to see me write?

   
Read­ing the above text, you might think you’re learn­ing Eng­lish. How could you imag­ine it com­ing from an excel­lent chil­dren’s lit­er­a­ture book? Such text does­n’t seem lit­er­ary at all.
 
   
How­ev­er, this is indeed from an excel­lent pic­ture book, “A Super Friend,” which com­pet­ed for the Calde­cott Medal when it was pub­lished. Although it lost, it did win an hon­orary Dr. Seuss Medal, com­mon­ly known as the Sil­ver Medal. There­fore, we need to re-exam­ine the text through the lens of pic­ture books and the images.
 
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There are two char­ac­ters in the paint­ing: a bear and a goose. The bear lies on the ground, qui­et­ly read­ing a book, while the goose hap­pi­ly scam­pers towards him, step­ping over his body. The goose know­ing­ly asks, “Are you read­ing?” and then snatch­es the book away to begin read­ing. The bear stops read­ing and turns his back to writ­ing, but the goose again approach­es, ask­ing, “Are you writ­ing?” and then snatch­es the book away to begin writ­ing… and so the sto­ry unfolds.
 
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Com­bined with the visu­als, the sto­ry intro­duces two char­ac­ters with strik­ing­ly dis­tinct and sym­met­ri­cal per­son­al­i­ties: the bear, enor­mous, some­what clum­sy, and qui­et-lov­ing, full of griev­ances but too lazy to express them, pre­fer­ring to sulk on his own; and the goose, rel­a­tive­ly small, with exag­ger­at­ed move­ments, a lover of bus­tle and activ­i­ty, unable to hold back, and a pen­chant for chat­ter­ing non­stop. How could two such crea­tures pos­si­bly get along? Yet, as we read on, through the deft han­dling of their con­tra­dic­tions, they unex­pect­ed­ly become close friends, each call­ing the oth­er a “superb friend.” Upon clos­er inspec­tion, while unex­pect­ed, it also makes sense. This is the lit­er­ary rich­ness of the work.
 
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The author and artist Suzan­ne’s sto­ry­telling is inge­nious and admirable. After read­ing the sto­ry, we not only found it quite plau­si­ble but also deeply amus­ing, enrich­ing both adults and chil­dren. For exam­ple, from an adult’s per­spec­tive, the sto­ry of the goose and the bear may well remind us of peo­ple around us, even our­selves. The anec­dote between the goose and the bear, and their ulti­mate rela­tion­ship, offers valu­able insights, remind­ing us to be adept at and coura­geous­ly express our emo­tions, so as to con­nect har­mo­nious­ly with our peers. I cit­ed this sto­ry in my book, Help­ing Chil­dren Fall in Love with Read­ing, as a bril­liant exam­ple of inter­per­son­al com­mu­ni­ca­tion.
 
   
But then again, the bril­liance of this pic­ture book does not dimin­ish its val­ue in lan­guage learn­ing. Instead, it has become an excel­lent intro­duc­to­ry read­ing mate­r­i­al for Eng­lish. The Dr. Seuss Award was estab­lished to reward chil­dren’s books of this type.
 
   
Both the Dr. Seuss Award and the Calde­cott Medal are award­ed by the Amer­i­can Library Asso­ci­a­tion. The Calde­cott Medal is old­er, hav­ing been estab­lished in 1937. Chi­nese pic­ture book enthu­si­asts are well aware that it focus­es on chil­dren’s book illus­tra­tions and is typ­i­cal­ly giv­en to pic­ture book illus­tra­tors. Accord­ing to par­tic­i­pants’ expla­na­tion of the 2006 Calde­cott Medal selec­tion process, “A Super Friend” was not select­ed for the award pri­mar­i­ly due to a flaw in the image. On the fourth-to-last folio, the artist had some­how col­ored the bear’s eyes blue, a detail that did­n’t match the pre­ced­ing image! This detail demon­strates the strict cri­te­ria for the Calde­cott Medal.
 
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Why did the painter for­get to add the eyes to the bear on this page?
 
   
The Dr. Seuss Award was estab­lished in 2004 and was first award­ed in 2006. This award is specif­i­cal­ly giv­en to chil­dren’s books that are par­tic­u­lar­ly help­ful for begin­ning Eng­lish read­ers. The con­tent and for­mat require­ments are as fol­lows: the sub­ject mat­ter must be engag­ing; the con­tent may or may not be divid­ed into chap­ters; the intro­duc­tion of new vocab­u­lary should be slow to main­tain chil­dren’s read­ing enthu­si­asm; word rep­e­ti­tion should be fre­quent to facil­i­tate reten­tion; sen­tences should be sim­ple and clear; the book must have at least 24 pages but no more than 96; the illus­tra­tions must facil­i­tate com­pre­hen­sion of the sto­ry; the book must pro­vide a suc­cess­ful read­ing expe­ri­ence from begin­ning to end; and the plot devel­op­ment should cre­ate a dynam­ic effect as the pages turn. In short, this award pri­mar­i­ly focus­es on the enthu­si­asm of begin­ning chil­dren to read and empha­sizes lan­guage learn­ing, while also exam­in­ing the work’s inher­ent val­ue. Works that receive the Dr. Seuss Award are often excel­lent chil­dren’s Eng­lish learn­ing mate­ri­als that chil­dren can read inde­pen­dent­ly with sim­ple adult guid­ance. There­fore, I rec­om­mend that when trans­lat­ing and import­ing chil­dren’s books that have won this award, it is best to retain the orig­i­nal Eng­lish lan­guage.
 
   
So, how were the afore­men­tioned award cri­te­ria deter­mined? In fact, these so-called cri­te­ria are almost entire­ly pre-exist­ing, arguably drawn from the char­ac­ter­is­tics of Dr. Seuss’s works. This renowned Amer­i­can chil­dren’s book mas­ter rose to fame in the mid-20th cen­tu­ry. He wrote and illus­trat­ed numer­ous pic­ture books, most notably “Green Eggs and Ham” and “The Cat in the Top Hat.” His illus­tra­tions and text evoke a sense of mad­cap mad­ness and laugh­ter, always mak­ing peo­ple laugh. Although his sto­ries often seem absurd, chil­dren are cap­ti­vat­ed by them, and even adults with a more reserved dis­po­si­tion enjoy them quite a bit. But what sur­pris­es many adults even more is that Dr. Seuss’s works are incred­i­bly easy for chil­dren to read on their own, and the vocab­u­lary is care­ful­ly designed to be high­ly suit­able for chil­dren’s Eng­lish learn­ing. Lat­er, the US Depart­ment of Edu­ca­tion even des­ig­nat­ed Dr. Seuss’s books as sup­ple­men­tary read­ing mate­ri­als for Eng­lish lan­guage learn­ing. Over half a cen­tu­ry lat­er, despite his pass­ing, Dr. Seuss’s rep­u­ta­tion in the Unit­ed States remains unwa­ver­ing. The offi­cial White House web­site lists him as one of the rep­re­sen­ta­tives of Amer­i­ca’s chil­dren’s lit­er­a­ture dream team. Dur­ing the 2010 East­er cel­e­bra­tion, Pres­i­dent Oba­ma read “Green Eggs and Ham” to adults and chil­dren on the White House lawn.
 
   
Dr. Seuss has had a pro­found influ­ence on the Amer­i­can chil­dren’s book world. Besides his own cre­ations, as a chil­dren’s book edi­tor, he per­son­al­ly nur­tured many out­stand­ing chil­dren’s books by oth­ers, includ­ing the super-sell­er “Baby Bear” series. The cre­ators of Baby Bear, Mr. and Mrs. Bod­in, recall­ing their ear­ly days writ­ing and edit­ing, remarked with deep emo­tion that Dr. Seuss approached their play­ful chil­dren’s sto­ries with the same rig­or­ous approach as he would a great lit­er­ary clas­sic! Indeed, this spir­it and atti­tude are Dr. Seuss’s most pre­cious gift to the world. In Dr. Seuss’s view, chil­dren, no mat­ter how young, have the same needs as adults: they need to laugh, to be chal­lenged, to be enter­tained, and to be hap­py!
 
   
It is prob­a­bly best to let chil­dren learn through high­ly enter­tain­ing lit­er­a­ture.