Reading is a game



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What hap­pens when chil­dren encounter read­ing? What can we do to make read­ing fun? Let Ajia, founder of Red Mud, explain.


——Edi­tor: Ding Ling



Read­ing is a game

 


Author: Ajia
(Orig­i­nalPub­lished in Guang­ming Dai­ly
(Edi­tion 15, April 28, 2015)




Accord­ing to gen­er­al dic­tio­nary def­i­n­i­tions, read­ing is the activ­i­ty of extract­ing mean­ing from spe­cif­ic objects, such as books and news­pa­pers. While its pro­found sig­nif­i­cance for indi­vid­u­als and groups is self-evi­dent, the notion that read­ing is a game is not uni­ver­sal­ly accept­ed, espe­cial­ly among adult read­ers. How­ev­er, when read­ing encoun­ters chil­dren, its play­ful nature often reveals itself.


Return to the game read­ing


In the pro­mo­tion of chil­dren’s read­ing, which has become increas­ing­ly pop­u­lar in recent years, one phe­nom­e­non that is quite strik­ing is that pic­ture books are increas­ing­ly enter­ing fam­i­lies, kinder­gartens and schools, which has also led to the pros­per­i­ty of this rel­a­tive­ly new form of chil­dren’s books. What sur­prised many adults (includ­ing some experts) is that pic­ture books, which in their con­cept should be clas­si­fied as chil­dren’s books, are actu­al­ly very pop­u­lar in some pri­ma­ry and sec­ondary schools. They have not only become pop­u­lar extracur­ric­u­lar read­ing mate­ri­als, but are also increas­ing­ly inte­grat­ed into class­room teach­ing. Is it because these chil­dren’s read­ing abil­i­ty is too low? In fact, it is quite the oppo­site.Those pri­ma­ry and sec­ondary school stu­dents who enjoy read­ing pic­ture books are not only capa­ble, but also often show a stronger enthu­si­asm for read­ing, and main­tain a con­sid­er­able amount of read­ing over­all.They are nat­u­ral­ly on the path to becom­ing life­long read­ers.


Tem­porar­i­ly put aside the urge to rigid­ly cat­e­go­rize pic­ture books, and observe close­ly how they are shared and how chil­dren accept them, and you will be pleas­ant­ly sur­prised to find thatThe fol­low­ing char­ac­ter­is­tics are often shown in the process of shar­ing and accept­ing:


(1)Ini­tia­tive: All par­tic­i­pants showed a very pos­i­tive atti­tude;


(2)cre­ativ­i­ty: Read­ing forms and respons­es often show rich cre­ativ­i­ty;


(3)Inde­pen­dence: Every read­er may have a dif­fer­ent under­stand­ing and reac­tion;


(4)social: The par­tic­i­pa­tion of mul­ti­ple peo­ple often stim­u­lates more fun, and the par­tic­i­pants can also enhance their under­stand­ing and mutu­al good­will.


If we use these char­ac­ter­is­tics to look back at var­i­ous games, we will find that
All games have this fea­ture.


Once you dis­cov­er this secret, it’s easy to under­stand why pic­ture book read­ing is so pop­u­lar with chil­dren. Rather than accept­ing an activ­i­ty of “deriv­ing mean­ing from books,” it’s more accu­rate to say they’ve embraced a game, and play is inher­ent in chil­dren’s nature. In fact, many teach­ers also find joy in pic­ture book read­ing, for­tu­nate­ly, because they still retain their play­ful nature.



Based on this dis­cov­ery, when I’m invit­ed to par­tic­i­pate in read­ing activ­i­ties in schools, I pre­pare two sets of rea­sons for read­ing pic­ture books: for adults and for chil­dren. For adults, I offer the fol­low­ing: It helps cul­ti­vate the tem­pera­ment of artists, poets, and philoso­phers; for chil­dren, I offer the fol­low­ing: First, it’s fun. Sec­ond, it’s very fun. Third, it’s very, very fun! The lat­ter rea­sons are suf­fi­cient for young read­ers. Treat­ing read­ing as a game in no way dimin­ish­es the spir­i­tu­al wealth it can bring. On the con­trary, I believe the impact will be even greater.


but,
The most inter­est­ing way to read pic­ture books is to share them with mul­ti­ple peo­pleThe basic form is: let the chil­dren look at the pic­tures, and the adults read the text in the book aloud.There­fore, we need to con­vince adults to bring their chil­dren to play. This is usu­al­ly not easy at the begin­ning, because many adults are still unable to expe­ri­ence the beau­ty of it, and some enthu­si­as­tic try­ers, despite their efforts, do not know how to play with their chil­dren.Games can also be used to learn.


How to Play with Pic­ture Books


About sev­en or eight years ago, Inspec­tor Car­rot and I sort­ed out
“Ten Tips for Play­ing Pic­ture Books“The book aims to pro­vide some ref­er­ence exam­ples for adults who want to read pic­ture books with their chil­dren. The ten rules are: sing, recite, speak, do, draw, act, eat, break, chat, and think, and each word rep­re­sents a type of play.


A brief intro­duc­tion is as fol­lows:


1 sing


This involves incor­po­rat­ing chant­i­ng and singing into the shar­ing of pic­ture books. For exam­ple, Chi­nese and for­eign pic­ture books such as “Mulan,” “Su Wu Herd­ing Sheep,” and “Brown Bear, Brown Bear, What Are You Look­ing At?” are all very singable.


2 Read


Hav­ing the lis­ten­er look at the pic­tures while the read­er aloud fol­lows the book—“reading the words when there are words, and qui­et­ly turn­ing the pages when there are no words”—is the most basic and sim­ple form, but also the most dif­fi­cult and advanced form to mas­ter. Since the end of 2007, the Cap­i­tal Library and the Red Mud Book Club have col­lab­o­rat­ed to train sto­ry­telling vol­un­teers. This pub­lic wel­fare train­ing pro­gram, called “Sow­ing the Seeds of Hap­pi­ness,” has com­plet­ed six ses­sions to date, and its core skill train­ing is the “read­ing” tech­nique.


3 said



Pass
It often refers to insert­ing expla­na­tions dur­ing the read­ing process, and also includes sto­ry­telling activ­i­ties derived from books.


4 Do


It gen­er­al­ly refers to var­i­ous activ­i­ties that can be done with hands, such as play­ing games, doing sports, doing hand­i­crafts, etc. Any­thing that requires hands-on work rather than “draw­ing”, “act­ing” or “eat­ing” falls into this cat­e­go­ry.


5 paint­ings


Each excel­lent pic­ture book is an art gallery on paper. It not only allows read­ers to appre­ci­ate mas­ter­pieces of var­i­ous styles and cul­tur­al back­grounds, but also nat­u­ral­ly pro­duces a cer­tain stim­u­la­tion, tempt­ing some read­ers to pick up their brush­es and express them­selves.


6 per­for­mances


Invite read­ers to par­tic­i­pate in play­ing the roles in the book, from sim­ple “role-based read­ing” to com­plex “class­room dra­ma” and “pic­ture book fairy tale dra­ma” chore­og­ra­phy and per­for­mance.


7 Eat


Per­haps the most pop­u­lar way for chil­dren to play is to eat. Many inter­est­ing pic­ture books are about eat­ing. If you can expe­ri­ence the “eat­ing” in the book while read­ing, its appeal will increase expo­nen­tial­ly. The most suit­able book for “eat­ing” is “Stone Soup”.


8 Bro­ken


The word “po” (破) means to crack or deci­pher a mys­tery. Many pic­ture books con­tain hid­den secrets with­in the images. Find­ing these secrets and dis­cov­er­ing the con­nec­tions between them, com­bined with the intri­cate rela­tion­ships between the text and the images, can often con­struct a whole new world com­plete­ly dif­fer­ent from the sur­face sto­ry.


9 Chat


Talk to your chil­dren about books before, dur­ing, and after read­ing. This seem­ing­ly easy activ­i­ty can eas­i­ly lead to unpro­duc­tive and often bor­ing quizzes. Talk­ing to chil­dren about books is a skill in itself; con­sid­er Cham­ber­s’s book, “Let’s Hear It.”(Edi­tor: Please refer to our pre­vi­ous relat­ed arti­cles)


10 thoughts


Asso­ci­a­tion, imag­i­na­tion, and unbri­dled day­dream­ing… this is the most per­son­al way to play. In the realm of thought and imag­i­na­tion, if adults are not the stan­dard answer, adults do not have much advan­tage over chil­dren. In fact, in the realm of imag­i­na­tion relat­ed to pic­ture books, chil­dren are the teach­ers of adults.


Read­ing has always been a game


Some might say that the pic­ture book play meth­ods list­ed above seem quite far from “real” read­ing, seem­ing­ly cater­ing to chil­dren’s gam­ing pref­er­ences and pro­vid­ing lim­it­ed sup­port for their mean­ing­ful learn­ing. I ful­ly under­stand such doubts. In fact, the strongest doubts of this kind ini­tial­ly came from myself. How­ev­er, as I grad­u­al­ly grow up with my own chil­dren, come across more and more growth exam­ples in read­ing pro­mo­tion activ­i­ties, and con­stant­ly review and reflect on my own growth tra­jec­to­ry, I am increas­ing­ly con­vinced that at least
For chil­dren, play and learn­ing are one and the same.Per­haps this is also true for adults.


When it comes to read­ing in the tra­di­tion­al sense, it is hard not to men­tion Con­fu­cius as a rec­og­nized mas­ter of read­ing. Con­fu­cius loved poet­ry, read poet­ry, com­piled poet­ry, and used poet­ry as the start­ing point of edu­ca­tion. “The three hun­dred poems can be summed up in one word: pure thoughts.” If the rel­e­vant records in “Records of the Grand His­to­ri­an” are cred­i­ble, Con­fu­cius is at least one of the most impor­tant com­pil­ers of the ver­sion of “Book of Songs” that has been passed down to this day. How­ev­er, per­haps not many peo­ple have noticed it.Con­fu­cius was also able to sing the Book of Songs, and he often played and sang it in front of his dis­ci­ples.Play­ing the qin while recit­ing poet­ry, just think about it, how fun it is! Inte­grat­ing the rhythm of lan­guage and words into music, before the lis­ten­er under­stands its mean­ing, he will be moved by the beau­ty of the sound. The so-called “pure thoughts” and the pow­er of music can­not be under­es­ti­mat­ed. In a broad­er sense,Is Con­fu­cius a mas­ter of read­ing?existAfter him, the chant­i­ng tra­di­tion of Chi­nese schol­ars has been passed down for thou­sands of years. Chant­i­ng itself can per­haps be seen as a musi­cal game of poet­ry read­ing.


From the per­spec­tive of game char­ac­ter­is­tics, read­ing and writ­ing, both ancient and mod­ern, Chi­nese and for­eign, can prob­a­bly be seen as games based on lan­guage and text.
This kind of game is main­ly used to con­vey infor­ma­tion and pass on knowl­edge. It can be used to amuse one­self and cul­ti­vate one’s char­ac­ter in leisure time, and can also become a weapon when nec­es­sary. With the par­tic­i­pa­tion of visu­al artists, read­ing in a broad sense has long gone beyond the scope of text. The folk, roy­al, aris­to­crat­ic and lit­er­ati’s self-enter­tain­ment arts have also become part of the pic­ture books in the hands of chil­dren. Those tex­tu­al and pic­to­r­i­al read­ing mate­ri­als that tran­scend time and space and are pre­sent­ed in print­ed or elec­tron­ic media are allGames that extend thought and life.


Read books, read peo­ple, read the world


I remem­ber once on a train trip, read­ing a French writer’s words. She said: “What a won­der­ful expe­ri­ence that was!” Imag­ine your words being read by a trav­el­er on a train some­where far away. His heart beats, he looks out the win­dow, and smiles know­ing­ly — yes, I did that at the time.Isn’t this some kind of love­ly mys­tery game?


2014
In the sum­mer of 2008, I and sev­er­al good friends who love chil­dren’s lit­er­a­ture took our chil­dren on a trip to the north­east­ern Unit­ed States. We all want­ed to vis­it a small fish­ing vil­lage called Brook­lyn on the Atlantic coast of Maine, because the Amer­i­can essay­ist E.B. White set­tled here with his fam­i­ly in the sec­ond half of his life and com­plet­ed three clas­sic fairy tales: “Stu­art Lit­tle”, “Char­lot­te’s Web” and “The Trum­pet of the Swan”. The barn of the spi­der Char­lotte and the piglet Wilbur is on White’s salt­wa­ter farm.


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(Dia­gram of the farm drawn by White him­self)


On the way from New York to Maine, we stopped by to vis­it Hen­ry David Thore­au’s Walden Pond, which was also a holy place in the mind of E.B. White. It is almost cer­tain that his deci­sion to set­tle in a Maine fish­ing vil­lage was great­ly influ­enced by Thore­au.


One ear­ly morn­ing that sum­mer, I arrived at Walden Pond before sun­rise. As Thore­au wrote, “One must not only observe the sun­rise and the day­break, but, if pos­si­ble, also the con­tem­pla­tion of Nature her­self… Indeed, though I have not per­son­al­ly aid­ed the sun­rise, there is no doubt that being there before it is the most impor­tant thing.” I walked along the same for­est path that Emer­son and Thore­au had used to walk through the woods, arriv­ing at the remains of the cab­in. Fol­low­ing White’s instruc­tions, I also fol­lowed the tra­di­tion of offer­ing stones, then qui­et­ly walked around Walden Pond, reflect­ing on it. As the ris­ing sun cast its gold­en light and warmth across the lakeshore, I sud­den­ly remem­bered Thore­au’s words: “Could it not be pos­si­ble to make observ­ing the cycle of the sea­sons one’s occu­pa­tion?”

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(Walden Pond)





Read­ing books, read­ing peo­ple, read­ing the world, this is what I under­stand and indulge in. Is there any game more fun than this?






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