{"id":470,"date":"2024-09-15T16:09:16","date_gmt":"2024-09-15T08:09:16","guid":{"rendered":"https:\/\/ajia.site\/blog\/?p=470"},"modified":"2025-09-10T09:34:52","modified_gmt":"2025-09-10T01:34:52","slug":"tullet2024","status":"publish","type":"post","link":"https:\/\/ajia.site\/blog\/en\/2024\/09\/15\/tullet2024\/","title":{"rendered":"A Dance of the Five Sens\u00ades: The Artis\u00adtic Charm and Edu\u00adca\u00adtion\u00adal Val\u00adue of Durai\u2019s Inter\u00adac\u00adtive Pic\u00adture Books"},"content":{"rendered":"
<\/figure>\n\n\n\n

French artist Herv\u00e9 Tul\u00adlet is a pio\u00adneer in the field of con\u00adtem\u00adpo\u00adrary pic\u00adture books. His works have become incred\u00adi\u00adbly pop\u00adu\u00adlar world\u00adwide over the past decade, with count\u00adless fans across the Tai\u00adwan Strait. His audi\u00adence spans a wide range of ages, from one- and two-year-olds to art enthu\u00adsi\u00adasts of all ages. Tul\u00adlet has a vast body of work, many of which are high\u00adly cre\u00adative and inter\u00adac\u00adtive, and many have been intro\u00adduced to Chi\u00adna. Here, I will focus on three of his rel\u00ada\u00adtive\u00adly recent and rep\u00adre\u00adsen\u00adta\u00adtive works: Oh! Un livre qui fait des sons (2017), The Dance of the Hands (La danse des mains, 2022), and The Hand That Paints (La main qui des\u00adsine, 2024).<\/p>\n\n\n\n\n\n\n\n

Talk\u00ading Dots (Oh! Un livre qui fait des sons)<\/figcaption><\/figure>\n\n\n\n

Born in Nor\u00admandy, France in 1958, Dulay grew up in a rel\u00ada\u00adtive\u00adly impov\u00ader\u00adished neigh\u00adbor\u00adhood of Paris. He was a mediocre stu\u00addent for most of his school years until, in his sec\u00adond year of high school, a French teacher inspired him to become fas\u00adci\u00adnat\u00aded with Sur\u00adre\u00adal\u00adism and begin obses\u00adsive\u00adly exper\u00adi\u00adment\u00ading with auto\u00admat\u00adic draw\u00ading. He dis\u00adliked express\u00ading him\u00adself through draw\u00ading, believ\u00ading it was insuf\u00adfi\u00adcient to express his inner pain. He aban\u00addoned fig\u00adu\u00adra\u00adtive line draw\u00ading in favor of non-fig\u00adu\u00adra\u00adtive scrib\u00adbles. He stud\u00adied visu\u00adal com\u00admu\u00adni\u00adca\u00adtion at the Cen\u00adtral Union School of Art and was recruit\u00aded by an adver\u00adtis\u00ading agency as an art direc\u00adtor before grad\u00adu\u00adat\u00ading.
Like pic\u00adture book mas\u00adter Eric Car\u00adle, Dulay ini\u00adtial\u00adly found suc\u00adcess in adver\u00adtis\u00ading, but con\u00adstant\u00adly design\u00ading pro\u00admo\u00adtion\u00adal designs for oth\u00ader peo\u00adple\u2019s prod\u00aducts left him feel\u00ading trapped in his artis\u00adtic cre\u00adativ\u00adi\u00adty. So, when he became a father in 1992, he decid\u00aded to leave this lucra\u00adtive pro\u00adfes\u00adsion, not want\u00adi\u00adng his chil\u00addren to say, \u201cMy dad is in adver\u00adtis\u00ading.\u201d Dulay\u2019s pre\u00adde\u00adces\u00adsor, Eric Car\u00adle, had a men\u00adtor\u00ading edi\u00adtor, Ann Benadus, when he tran\u00adsi\u00adtioned to a dif\u00adfer\u00adent field, and he also had Leo Lion\u00adi\u00adco, who men\u00adtored him. Dulay was also for\u00adtu\u00adnate to meet Fan\u00adny Marceau, an edi\u00adtor at Hachette, who showed him the lat\u00adest work by Japan\u00adese artist Kat\u00adsu\u00admi Koma\u00adga\u00adta. Dulay lat\u00ader recalled, \u201cIt was a shock. \u2026 And then, it\u2019s abstrac\u00adtion in a book for chil\u00addren. This link between child\u00adhood and con\u00adtem\u00adpo\u00adrary art: I knew, then, that I want\u00aded to go there.\u201d<\/p>\n\n\n\n


Dulay\u2019s debut pic\u00adture book, \u201cWhen Father Meets Moth\u00ader,\u201d pub\u00adlished in 1994, is now avail\u00adable in Chi\u00adnese, but his tru\u00adly world-shak\u00ading mas\u00adter\u00adpiece was \u201cDot Dot Dot,\u201d pub\u00adlished in 2010. Over the decade pri\u00ador to that, he had explored a vari\u00adety of sub\u00adjects, includ\u00ading art, inter\u00adac\u00adtiv\u00adi\u00adty, games, and the five senses\u2014all very cre\u00adative, but none as aston\u00adish\u00ading as this one. Even before its block\u00adbuster suc\u00adcess, he knew it was the pin\u00adna\u00adcle of his artis\u00adtic endeav\u00adors. At the 2010 Bologna Book Fair, the booth of French pub\u00adlish\u00ader Bayard was thronged with for\u00adeign edi\u00adtors vying for copy\u00adrights, includ\u00ading at least nine from the Unit\u00aded States.<\/p>\n\n\n\n

<\/figure>\n\n\n\n


French pic\u00adture book crit\u00adic Sophie van der Lin\u00adden com\u00adment\u00aded on Dot Dot: \u201cIts nar\u00adra\u00adtive inter\u00adac\u00adtive prin\u00adci\u00adple was per\u00adfect\u00adly in place, and he touched the nerve cen\u00adter of child\u00adhood: the absolute belief in a mag\u00adi\u00adcal world.\u201d<\/p>\n\n\n\n

Leonard Mar\u00adcus, an Amer\u00adi\u00adcan chil\u00addren\u2019s book his\u00adto\u00adri\u00adan, lament\u00aded: \u201c\u200bIt is hard not to see the phe\u00adnom\u00ade\u00adnal world\u00adwide pop\u00adu\u00adlar\u00adi\u00adty of Press Here as some sort of sly tri\u00adumph over the dig\u00adi\u00adti\u00adza\u00adtion of every\u00adthing. As Herv\u00e9 Tul\u00adlet has so beau\u00adti\u00adful\u00adly demon\u00adstrat\u00aded, no bat\u00adter\u00adies or cost\u00adly devices are required for mean\u00ading\u00adful inter\u00adac\u00adtiv\u00adi\u00adty: only the meet\u00ading of one play\u00adful imag\u00adi\u00adna\u00adtion with anoth\u00ader.\u201d<\/p>\n\n\n\n


Although there have been many inter\u00adac\u00adtive pic\u00adture books for young read\u00aders before this, none seem to have required such a high lev\u00adel of read\u00ader involve\u00adment, nor have read\u00aders been so will\u00ading to coop\u00ader\u00adate and will\u00ading to play again and again. This is large\u00adly due to the pop\u00adu\u00adlar\u00adi\u00adty of elec\u00adtron\u00adic media. Tablets such as the iPad have made many babies addict\u00aded to inter\u00adact\u00ading with elec\u00adtron\u00adic screens, and the \u201cDot Dot\u201d book, which does not require plug\u00adging in elec\u00adtric\u00adi\u00adty, seems to have suc\u00adcess\u00adful\u00adly regained the com\u00admand\u00ading heights of chil\u00addren\u2019s read\u00ading.<\/p>\n\n\n\n


\u201cDot Dot\u201d itself lacks a sto\u00adry\u00adline. It begins with a sin\u00adgle yel\u00adlow dot, and turn\u00ading the pages depends entire\u00adly on the read\u00ader\u2019s abil\u00adi\u00adty to fol\u00adlow the instruc\u00adtions in the book. Young read\u00aders, of course, will need an adult to read aloud to them. From a pure\u00adly for\u00admal per\u00adspec\u00adtive, the book ini\u00adtial\u00adly resem\u00adbles a remake of Leo Lion\u00adni\u2019s \u201cLit\u00adtle Blue and Lit\u00adtle Yel\u00adlow.\u201d Dulay him\u00adself read\u00adi\u00adly admits, \u201cI had in mind to make the Lit\u00adtle Blue and Lit\u00adtle Yel\u00adlow of the 21st cen\u00adtu\u00adry, but not at all to match its suc\u00adcess.\u201d<\/p>\n\n\n\n

In fact, the suc\u00adcess of \u201cDot Dot\u201d was aston\u00adish\u00ading. In the 12 years since its pub\u00adli\u00adca\u00adtion, it has been trans\u00adlat\u00aded into 35 lan\u00adguages.<\/p>\n\n\n\n

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Pub\u00adlished in 2017, \u201cTalk\u00ading Dot Dot\u201d can be con\u00adsid\u00adered a sequel to \u201cDot Dot.\u201d How\u00adev\u00ader, in a sense, most of Dulai\u2019s works pub\u00adlished after 2010 can be con\u00adsid\u00adered sequels, as they all adhere to rel\u00ada\u00adtive\u00adly mature cre\u00adative meth\u00adods and con\u00adcepts, inter\u00adact\u00ading with read\u00aders through var\u00adi\u00adous visu\u00adal games. How\u00adev\u00ader, in terms of for\u00admal sim\u00adi\u00adlar\u00adi\u00adty, \u201cChange Change Change,\u201d \u201cDot Dot Adven\u00adture,\u201d \u201cTalk\u00ading Dot Dot,\u201d and \u201cDraw\u00ading Dot Dot\u201d are more like sequels.<\/p>\n\n\n\n

<\/figure>\n\n\n\n


Dulay\u2019s cre\u00adative approach is deeply influ\u00adenced by impro\u00advi\u00adsa\u00adtion and inter\u00adac\u00adtive art. He excels at uti\u00adliz\u00ading sim\u00adple geo\u00admet\u00adric shapes and basic col\u00adors, such as the pri\u00adma\u00adry col\u00adors red, yel\u00adlow, and blue, often against his sig\u00adna\u00adture white back\u00adground, to cre\u00adate imag\u00adi\u00adna\u00adtive visu\u00adals. How\u00adev\u00ader, unlike \u201cDot Dot Dot,\u201d \u201cTalk\u00ading Dot Dot Dot\u201d incor\u00adpo\u00adrates the inter\u00adac\u00adtion of sound: read\u00aders are asked to make dif\u00adfer\u00adent sounds, such as \u201coh,\u201d \u201cah,\u201d and \u201cwow,\u201d based on the shape and col\u00ador. The size of the shape also caus\u00ades vari\u00ada\u00adtions in the vol\u00adume of the sound, and even the dis\u00adtance and den\u00adsi\u00adty between the shapes can affect the sound. When spo\u00adken togeth\u00ader, the tones fluc\u00adtu\u00adate and the rhyth\u00admic feel shifts. Some\u00adtimes it feels like a con\u00adver\u00adsa\u00adtion, some\u00adtimes it can be bois\u00adter\u00adous, and some\u00adtimes it feels like singing. Over\u00adall, it feels very much like a play!<\/p>\n\n\n\n

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Dulai is a mul\u00adti\u00adtal\u00adent\u00aded artist. He\u2019s not only a writer and visu\u00adal artist, but also a skilled speak\u00ader and per\u00adformer, mak\u00ading him a pop\u00adu\u00adlar cre\u00adative instruc\u00adtor for art work\u00adshops. In \u201cTalk\u00ading Dots,\u201d he incor\u00adpo\u00adrates ele\u00adments of the\u00adatri\u00adcal per\u00adfor\u00admance. Think of the book as a play\u00adful chil\u00addren\u2019s play, with seem\u00ading\u00adly non\u00adsen\u00adsi\u00adcal yet hilar\u00adi\u00adous dot char\u00adac\u00adters appear\u00ading one after anoth\u00ader. \u201cOh,\u201d \u201cAh,\u201d and \u201cWow\u201d are demon\u00adstra\u00adtion lines. Read\u00aders can play around with the script first, then grad\u00adu\u00adal\u00adly add their own unique expres\u00adsions as they mas\u00adter the tech\u00adnique.<\/p>\n\n\n\n

<\/figure>\n\n\n\n


As ear\u00adly as 2003, Dulay was inspired to write a book almost impro\u00advised, Five Sens\u00ades (also avail\u00adable in Chi\u00adnese), a book that excit\u00aded him great\u00adly. \u201cI pro\u00adduced with\u00adout think\u00ading, I lib\u00ader\u00adat\u00aded my sens\u00ades because I lib\u00ader\u00adat\u00aded my style, I felt some\u00adthing foun\u00adda\u00adtion\u00adal and expressed it straight\u00adaway, as it came, And that lib\u00ader\u00adat\u00aded my ges\u00adture.\u201d<\/p>\n\n\n\n

One can imag\u00adine how much the artist longs to share this feel\u00ading of free\u00addom and lib\u00ader\u00ada\u00adtion of the five sens\u00ades with read\u00aders, even if it is just a baby of one or two years old.
In fact, babies as young as one or two years old can do even bet\u00adter, as they nat\u00adu\u00adral\u00adly per\u00adceive the world using all five sens\u00ades almost simul\u00adta\u00adne\u00adous\u00adly. In this sense, Dulay isn\u2019t so much try\u00ading to teach babies how to do things as being inspired by them, com\u00admu\u00adni\u00adcat\u00ading with them and pay\u00ading trib\u00adute to them through this work. \u201cTalk\u00ading Dot Dot\u201d is the kind of work that requires the read\u00ader to unleash all of their sens\u00ades to ful\u00adly appre\u00adci\u00adate it. Don\u2019t you want to give it a try?<\/p>\n\n\n\n

The Dance of the Hands<\/figcaption><\/figure>\n\n\n\n

\u201cThe Dance of the Hands\u201d (La danse des mains), pub\u00adlished in 2022, fur\u00adther demon\u00adstrates Durai\u2019s reflec\u00adtions on the inte\u00adgra\u00adtion of move\u00adment and art. The book guides chil\u00addren to dance with their hands. As the pages unfold, their hands dance, twirl, and roll across the page, grad\u00adu\u00adal\u00adly releas\u00ading the move\u00adments, as if per\u00adform\u00ading a \u201cdance per\u00adfor\u00admance\u201d of their hands. This book is more than just read\u00ading mate\u00adr\u00adi\u00adal; it is an artis\u00adtic expres\u00adsion of the body. In fact, inter\u00adest\u00aded read\u00aders can also find the French chil\u00addren\u2019s song of the same name online, \u201cLa danse des mains,\u201d which is the music that French teach\u00aders use to teach chil\u00addren the hand-wav\u00ading dance. Of course, Durai also aims to allow young read\u00aders to expe\u00adri\u00adence the joy of par\u00adtic\u00adi\u00adpat\u00ading in artis\u00adtic cre\u00adation. The book\u2019s vibrant and vibrant back\u00adgrounds serve as a stage for read\u00aders to freely express them\u00adselves.<\/p>\n\n\n\n


Through this cre\u00adative form, Dulai helps chil\u00addren devel\u00adop fine motor skills and hand-eye coor\u00addi\u00adna\u00adtion, while guid\u00ading them to express their emo\u00adtions and thoughts through move\u00adment. Hands are one of the most fre\u00adquent\u00adly used body parts, and Dulai inte\u00adgrates art into chil\u00addren\u2019s dai\u00adly lives through the move\u00adment of their hands, allow\u00ading them to dis\u00adcov\u00ader the beau\u00adty of art through the \u201cdance of their hands\u201d and active\u00adly par\u00adtic\u00adi\u00adpate in the cre\u00adation of beau\u00adty.<\/p>\n\n\n\n


For adult read\u00aders, this book also reminds us to rethink the con\u00adnec\u00adtion between body move\u00adment and cre\u00adativ\u00adi\u00adty. We often ignore the expres\u00adsion of the body, and through this form, Dulay makes us real\u00adize that move\u00adment itself is also an artis\u00adtic expres\u00adsion, there\u00adby inspir\u00ading us to redis\u00adcov\u00ader our cre\u00adativ\u00adi\u00adty.<\/p>\n\n\n\n

The Hand That Can Paint<\/figcaption><\/figure>\n\n\n\n

\u201cThe Hand That Can Draw\u201d (La main qui des\u00adsine), Dulay\u2019s lat\u00adest work, released in 2024, con\u00adtin\u00adues his con\u00adsis\u00adtent inter\u00adac\u00adtive style. This book encour\u00adages chil\u00addren to cre\u00adate by guid\u00ading their hands on the page, step by step, until they com\u00adplete a poster. In this way, Dulay teach\u00ades chil\u00addren that the hand is not just a tool but a source of cre\u00adativ\u00adi\u00adty, capa\u00adble of cre\u00adat\u00ading end\u00adless artis\u00adtic pos\u00adsi\u00adbil\u00adi\u00adties through sim\u00adple move\u00adments and lines.<\/p>\n\n\n\n


This book is par\u00adtic\u00adu\u00adlar\u00adly suit\u00adable for younger chil\u00addren as an intro\u00adduc\u00adtion to art cre\u00adation. Through sim\u00adple steps and guid\u00adance, it grad\u00adu\u00adal\u00adly cul\u00adti\u00advates chil\u00addren\u2019s hands-on skills and self-con\u00adfi\u00addence. For chil\u00addren, being able to com\u00adplete a paint\u00ading inde\u00adpen\u00addent\u00adly not only enhances their self-aware\u00adness but also strength\u00adens their inter\u00adest in art and their desire to explore. This book shows them that cre\u00adat\u00ading art does not require com\u00adplex tools and tech\u00adniques; the hands are the best artis\u00adtic tool.<\/p>\n\n\n\n


This book is also inspir\u00ading for adult read\u00aders. While adults often hes\u00adi\u00adtate to cre\u00adate for fear of imper\u00adfect results, Dulay, through the sim\u00adple process of hand-draw\u00ading, reminds us that the beau\u00adty of art lies not in per\u00adfec\u00adtion but in the self-expres\u00adsion and explo\u00adration that occurs dur\u00ading the process. This sim\u00adple cre\u00adative method can help adult read\u00aders redis\u00adcov\u00ader their child\u00adhood cre\u00adativ\u00adi\u00adty and unleash their inner artis\u00adtic poten\u00adtial.<\/p>\n\n\n\n

Let\u2019s Dance<\/figcaption><\/figure>\n\n\n\n

Tul\u00adlet\u2019s vibrant and cre\u00adative inter\u00adac\u00adtive pic\u00adture books have been a world\u00adwide hit. How\u00adev\u00ader, Amer\u00adi\u00adcan art cura\u00adtor and crit\u00adic Aaron Ott warns that \u201cTul\u00adlet\u2019s suc\u00adcess and pop\u00adu\u00adlar\u00adi\u00adty as a chil\u00addren\u2019s book author has at times masked the actu\u00adal depth of his pro\u00adduc\u00adtion. \u2026. At once patron\u00adiz\u00ading and pejo\u00adra\u00adtive, this label dis\u00adre\u00adgards the art his\u00adtor\u00adi\u00adcal impact of \u201cuntrained\u201d artists, like those who direct\u00adly influ\u00adenced Art Brut, but also rad\u00adi\u00adcal\u00adly under\u00ades\u00adti\u00admates the inher\u00adent val\u00adue found in the cre\u00adative free\u00addom of a child\u2019s mind\u00adset.\u201d<\/p>\n\n\n\n


In fact, Dulay\u2019s art is not lim\u00adit\u00aded to chil\u00addren. His basic propo\u00adsi\u00adtion can be sum\u00adma\u00adrized as the lib\u00ader\u00ada\u00adtion of cre\u00adativ\u00adi\u00adty and the impor\u00adtance of process over results. He believes thatArtis\u00adtic cre\u00adation should not be con\u00adstrained by any form of rules or estab\u00adlished stan\u00addards, but should be a free and spon\u00adta\u00adneous expres\u00adsion.<\/strong>He advo\u00adcates for inspir\u00ading cre\u00adativ\u00adi\u00adty through sim\u00adple forms, col\u00adors, and inter\u00adac\u00adtions, and encour\u00adages every\u00adone, chil\u00addren and adults, to find their own voice and expres\u00adsion in art.<\/p>\n\n\n\n


The inter\u00adac\u00adtiv\u00adi\u00adty of pic\u00adture books, the sim\u00adplic\u00adi\u00adty of visu\u00adals and text (leav\u00ading more space for read\u00aders to par\u00adtic\u00adi\u00adpate), stim\u00adu\u00adlate read\u00aders\u2019 cre\u00adativ\u00adi\u00adty<\/strong>This can be seen as a nat\u00adur\u00adal exten\u00adsion of Durai\u2019s artis\u00adtic vision into the realm of pic\u00adture book cre\u00adation, or per\u00adhaps a col\u00adlab\u00ado\u00adra\u00adtion with one of human\u00adi\u00adty\u2019s most cre\u00adative groups: chil\u00addren. How\u00adev\u00ader, I must empha\u00adsize that this in no way dimin\u00adish\u00ades the inher\u00adent (and not inten\u00adtion\u00adal) edu\u00adca\u00adtion\u00adal val\u00adue of his work. Over the years, edu\u00adca\u00adtion\u00adal experts and par\u00adents have expe\u00adri\u00adenced at least the fol\u00adlow\u00ading edu\u00adca\u00adtion\u00adal ben\u00ade\u00adfits from Durai\u2019s inter\u00adac\u00adtive pic\u00adture books:<\/p>\n\n\n\n


1. Enhance con\u00adcen\u00adtra\u00adtion and sense of par\u00adtic\u00adi\u00adpa\u00adtion;
2. Pro\u00admote sen\u00adso\u00adry coor\u00addi\u00adna\u00adtion and hands-on abil\u00adi\u00adty;
3. Cul\u00adti\u00advate lan\u00adguage and expres\u00adsion skills;
4. Enhance log\u00adi\u00adcal think\u00ading and cog\u00adni\u00adtion of cause and effect;
5. Spa\u00adtial per\u00adcep\u00adtion and math\u00ade\u00admat\u00adi\u00adcal cog\u00adni\u00adtion;
6. Encour\u00adage inde\u00adpen\u00addent read\u00ading and explo\u00adration\u2026<\/strong><\/p>\n\n\n\n


In this era of per\u00adva\u00adsive elec\u00adtron\u00adic media, Dulay\u2019s inter\u00adac\u00adtive pic\u00adture books con\u00adtin\u00adue to offer a pow\u00ader\u00adful form of resis\u00adtance, a tena\u00adcious resis\u00adtance. Their suc\u00adcess\u00adful resis\u00adtance mech\u00ada\u00adnism is based on at least the fol\u00adlow\u00ading char\u00adac\u00adter\u00adis\u00adtics:<\/p>\n\n\n\n


1. Pro\u00admote par\u00adent-child inter\u00adac\u00adtion and shared read\u00ading expe\u00adri\u00adence;
2. Reduce screen time and pro\u00adtect eye\u00adsight;
3. Enhance touch and real inter\u00adac\u00adtion;
4. Encour\u00adage focused and in-depth read\u00ading;
5. Reduce depen\u00addence on exter\u00adnal inter\u00adfer\u00adence;
6. Pro\u00admote imag\u00adi\u00adna\u00adtion and cre\u00adativ\u00adi\u00adty;
7. No bat\u00adtery depen\u00adden\u00adcy, read any\u00adtime, any\u00adwhere;
8. Cul\u00adti\u00advate a love for print\u00aded books\u2026<\/p>\n\n\n\n


\u2014\u2014In order to avoid writ\u00ading a bor\u00ading paper, I will not elab\u00ado\u00adrate on this.<\/p>\n\n\n\n


To expe\u00adri\u00adence the beau\u00adty of life is to cre\u00adate hap\u00adpi\u00adly.<\/strong>Shar\u00ading these fas\u00adci\u00adnat\u00ading books with chil\u00addren, let\u00adting them explore them through their five sens\u00ades, expe\u00adri\u00adenc\u00ading them freely and unknow\u00ading\u00adly, and par\u00adtic\u00adi\u00adpat\u00ading in cre\u00adation through play\u2014I think this is Herv\u00e9 Dulay\u2019s most allur\u00ading invi\u00adta\u00adtion.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Argen\u00adtine Primera Divisi\u00f3n writ\u00adten on Sep\u00adtem\u00adber 15, 2024 in Bei\u00adjing<\/p>","protected":false},"excerpt":{"rendered":"

A Review of Three Chi\u00adnese Inter\u00adac\u00adtive Pic\u00adture Books by Herv\u00e9 Dulay<\/p>","protected":false},"author":1,"featured_media":539,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13,4,12],"tags":[5,10,6],"class_list":["post-470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-review","category-story-of-story-tellers","category-ajia-review","tag-5","tag-10","tag-6"],"jetpack_featured_media_url":"https:\/\/ajia.site\/blog\/wp-content\/uploads\/2024\/09\/5881300cly1i2889rqebmj216o0mcjty.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/posts\/470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/comments?post=470"}],"version-history":[{"count":4,"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/posts\/470\/revisions"}],"predecessor-version":[{"id":544,"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/posts\/470\/revisions\/544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/media\/539"}],"wp:attachment":[{"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/media?parent=470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/categories?post=470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ajia.site\/blog\/en\/wp-json\/wp\/v2\/tags?post=470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}